Hearing the Crimean War: Wartime Sound and the Unmaking of Sense examines the experience of listeners and the politics of archiving sound throughout the many territories affected by the Crimean War, revealing the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible-or failed to do so.
Hearing the Crimean War: Wartime Sound and the Unmaking of Sense examines the experience of listeners and the politics of archiving sound throughout the many territories affected by the Crimean War, revealing the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible-or failed to do so.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gavin Williams is a musicologist and Leverhulme Early Career Research Fellow at King's College London. He wrote a PhD dissertation at Harvard University on sound and media in Milan ca. 1900, and was then a postdoctoral fellow at Jesus College, Cambridge. He has published articles and book chapters on Futurist music, Italian opera and ballet, and soundscapes in nineteenth-century London, and is currently writing a book on the imperial geographies of recorded sound during the first half of the twentieth century.
Inhaltsangabe
* List of Contributors * List of Illustrations * Acknowledgements * Introduction: Sound Unmade * Gavin Williams * Sound, Technology, Sense * 1. Sympathy and Synaesthesia: Tolstoy's Place in the Intellectual History of Cosmopolitan Spectatorship * Dina Gusejnova * 2. The Revolution Will Not Be Telegraphed: Shari'a Law as Mediascape * Peter McMurray * 3. Gunfire and London's Media Reality: Listening to Distance between Piano, Newspaper and Theater * Gavin Williams * 4. Overhearing Indigenous Silence: Crimean Tatars during the Crimean War * Maria Sonevytsky * Voice at the Border * 5. Orienting the Martial: Polish Legion Songs on the Map * Andrea Bohlman * 6. Who Sings the Song of the Russian Soldier? Listening for the Sounds and Silence of War in Baltic Russia * Kevin C. Karnes * 7. A voice that carries * Delia Casadei * Wartime as Heard * 8. Operatic Battlefields, Theater of War * Flora Willson * 9. Earwitness: Sound and Sense-Making in Tolstoy's Sevastopol Stories * Alyson Tapp * 10. InConsequence: 1853-6 * Hillel Schwarz * Bibliography * Index
* List of Contributors * List of Illustrations * Acknowledgements * Introduction: Sound Unmade * Gavin Williams * Sound, Technology, Sense * 1. Sympathy and Synaesthesia: Tolstoy's Place in the Intellectual History of Cosmopolitan Spectatorship * Dina Gusejnova * 2. The Revolution Will Not Be Telegraphed: Shari'a Law as Mediascape * Peter McMurray * 3. Gunfire and London's Media Reality: Listening to Distance between Piano, Newspaper and Theater * Gavin Williams * 4. Overhearing Indigenous Silence: Crimean Tatars during the Crimean War * Maria Sonevytsky * Voice at the Border * 5. Orienting the Martial: Polish Legion Songs on the Map * Andrea Bohlman * 6. Who Sings the Song of the Russian Soldier? Listening for the Sounds and Silence of War in Baltic Russia * Kevin C. Karnes * 7. A voice that carries * Delia Casadei * Wartime as Heard * 8. Operatic Battlefields, Theater of War * Flora Willson * 9. Earwitness: Sound and Sense-Making in Tolstoy's Sevastopol Stories * Alyson Tapp * 10. InConsequence: 1853-6 * Hillel Schwarz * Bibliography * Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Shop der buecher.de GmbH & Co. KG Bürgermeister-Wegele-Str. 12, 86167 Augsburg Amtsgericht Augsburg HRA 13309
