Hearing the Crimean War
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Hearing the Crimean War: Wartime Sound and the Unmaking of Sense examines the experience of listeners and the politics of archiving sound throughout the many territories affected by the Crimean War, revealing the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible-or failed to do so.

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Produktbeschreibung
Hearing the Crimean War: Wartime Sound and the Unmaking of Sense examines the experience of listeners and the politics of archiving sound throughout the many territories affected by the Crimean War, revealing the close interplay between nineteenth-century geographies of empire and the media through which wartime sounds became audible-or failed to do so.
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Autorenporträt
Gavin Williams is a musicologist and Leverhulme Early Career Research Fellow at King's College London. He wrote a PhD dissertation at Harvard University on sound and media in Milan ca. 1900, and was then a postdoctoral fellow at Jesus College, Cambridge. He has published articles and book chapters on Futurist music, Italian opera and ballet, and soundscapes in nineteenth-century London, and is currently writing a book on the imperial geographies of recorded sound during the first half of the twentieth century.