Hearing the Hurt: Rhetoric, Aesthetics, and Politics of the New Negro Movement - Watts, Eric King
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This is an examination of how the New Negro movement, also known as the Harlem Renaissance, provoked and sustained public discourse and deliberation about black culture and identity in the early twentieth century. Borrowing its title from a W. E. B. Du Bois essay, it explores the nature of rhetorical invention, performance, and mutation by focusing on the multifaceted issues brought forth in the New Negro movement.

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Produktbeschreibung
This is an examination of how the New Negro movement, also known as the Harlem Renaissance, provoked and sustained public discourse and deliberation about black culture and identity in the early twentieth century. Borrowing its title from a W. E. B. Du Bois essay, it explores the nature of rhetorical invention, performance, and mutation by focusing on the multifaceted issues brought forth in the New Negro movement.
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Autorenporträt
Eric King Watts is an associate professor in the department of communication studies at the University of North Carolina at Chapel Hill.