This edited collection is an interdisciplinary study of heavy metal culture in Argentina between 1983 and 2002. Contributors address the musicâ s rituals, circulations, cultural products, lyrics and intertexts, allowing readers to rethink the place of national heavy metal within Argentinean politics and economics, after the end of the dictatorship.
This edited collection is an interdisciplinary study of heavy metal culture in Argentina between 1983 and 2002. Contributors address the musicâ s rituals, circulations, cultural products, lyrics and intertexts, allowing readers to rethink the place of national heavy metal within Argentinean politics and economics, after the end of the dictatorship.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Emiliano Scaricaciottoli is professor at the University of Buenos Aires. He is the coordinator for the Group for Interdisciplinary Research on Argentinian Heavy Metal (GIIHMA) and has edited two books of essays and another seven productions on rock and metal in Argentina. Nelson Varas-Díaz is professor of social-community psychology at Florida International University. He is coeditor of the journal Metal Music Studies and the director of the documentary film Songs of Injustice: Heavy Metal Music in Latin America. Daniel Nevárez Araújo holds a doctorate in comparative literature from the University of Massachusetts Amherst as well as master's and bachelor's degrees from the University of Puerto Rico, Río Piedras.
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