Hegel's Aesthetics is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. It gives a new analysis of his notorious "end of art" thesis, shows the indispensability of his aesthetics to his philosophy generally, and argues for his theory's relevance today.
Hegel's Aesthetics is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. It gives a new analysis of his notorious "end of art" thesis, shows the indispensability of his aesthetics to his philosophy generally, and argues for his theory's relevance today.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lydia Moland is Associate Professor of Philosophy at Colby College. She is the author of Hegel on Political Identity (Northwestern University Press, 2011) and the editor of All Too Human: Laughter, Humor, and Comedy in Nineteenth-Century Philosophy (Springer, 2018). She has published articles on Hegel's political and aesthetic philosophy, the playwright and philosopher Friedrich Schiller, and the American abolitionist Lydia Maria Child. She is the recipient of grants from the NEH, the ACLS, and the American Academy in Berlin.
Inhaltsangabe
* Introduction * Part I: Art and the Idea * Chapter One: Truth and Beauty: Art as the Sensuous Appearance of the Idea * Part II: The Particular Forms of Art * Chapter Two: Symbolic Art: The Distant Divine * Chapter Three: Classical Art: The Embodied Divine * Chapter Four: Romantic Art: The Human Divine * Chapter Five: The Dissolution and Future of the Particular Arts * Part III: The System of the Individual Arts * Chapter Six: Externality as Symbol: Architecture * Chapter Seven: Individuality Embodied: Sculpture * Chapter Eight: Subjectivity in Retreat: Painting * Chapter Nine: The Sound of Feeling: Music * Chapter Ten: The Language of Inner Imagination: Poetry * Chapter Eleven: Embodied Reconciliation: Poetic Subgenres and the End of the Individual Arts * Conclusion
* Introduction * Part I: Art and the Idea * Chapter One: Truth and Beauty: Art as the Sensuous Appearance of the Idea * Part II: The Particular Forms of Art * Chapter Two: Symbolic Art: The Distant Divine * Chapter Three: Classical Art: The Embodied Divine * Chapter Four: Romantic Art: The Human Divine * Chapter Five: The Dissolution and Future of the Particular Arts * Part III: The System of the Individual Arts * Chapter Six: Externality as Symbol: Architecture * Chapter Seven: Individuality Embodied: Sculpture * Chapter Eight: Subjectivity in Retreat: Painting * Chapter Nine: The Sound of Feeling: Music * Chapter Ten: The Language of Inner Imagination: Poetry * Chapter Eleven: Embodied Reconciliation: Poetic Subgenres and the End of the Individual Arts * Conclusion
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