Analyzes twentieth-century media and cultural theories as they relate to changes in political economy, communication technology, popular culture and collective consciousness in the United States. It argues that much of contemporary media environment is operating as Western capitalist media have for more than a century, making these theories more relevant than ever.
Analyzes twentieth-century media and cultural theories as they relate to changes in political economy, communication technology, popular culture and collective consciousness in the United States. It argues that much of contemporary media environment is operating as Western capitalist media have for more than a century, making these theories more relevant than ever.
Sean Johnson Andrews is Associate Professor of Cultural Studies at Columbia College Chicago. He received his PhD in Cultural Studies from George Mason University. His research and teaching centers on media and cultural studies, globalization, and the relationship between law and culture. His co-authored anthology 'Cultural Studies and the 'Juridical Turn'' was published by Routledge in 2016. His next book The Cultural Production of Intellectual Property Rights will be published by Temple University Press.
Inhaltsangabe
1. Valorizing Hegemony: American Mass Media, Intellectual Property, and the Economic Value of the Ideological State Apparatuses / 2. A Slightly Deeper Time of the Media: Culture and the Nineteenth-Century Struggle for Hegemony / 3. When Shakespeare Became Black(face) and Christmas Became White: Race, Class, and Valorization before the Commodification of Consciousness / 4. Administration and/of Culture: The Incorporation of Media Culture and the Critique of the Frankfurt School and Political Economy of Communication / 5. The Work of Meaning and the Meaning of Work: Cultural Studies and the Discovery of Audience Labor / 6. Culture Industry 2.0: Properties of Cultural Production and the Value of Commodified Sociality
1. Valorizing Hegemony: American Mass Media, Intellectual Property, and the Economic Value of the Ideological State Apparatuses / 2. A Slightly Deeper Time of the Media: Culture and the Nineteenth-Century Struggle for Hegemony / 3. When Shakespeare Became Black(face) and Christmas Became White: Race, Class, and Valorization before the Commodification of Consciousness / 4. Administration and/of Culture: The Incorporation of Media Culture and the Critique of the Frankfurt School and Political Economy of Communication / 5. The Work of Meaning and the Meaning of Work: Cultural Studies and the Discovery of Audience Labor / 6. Culture Industry 2.0: Properties of Cultural Production and the Value of Commodified Sociality
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