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History is like tapestry. History is like compost. History is like a roadmap through time, only seen in reverse; or a thoughtmap laid over time (whatever that is) in retrospect. There are lines, there are paths, there are tangled threads, but there is also compaction and lithification. And there is also space. Five hundred years of time is vast and vacant. It is full of forgetting. Forgetting is the erosion of the matter of the world in a process sympathetic to the erosion of matter in the brain. History is a certain kind of space, then, with certain paths through, certain threads, with…mehr

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Produktbeschreibung
History is like tapestry. History is like compost. History is like a roadmap through time, only seen in reverse; or a thoughtmap laid over time (whatever that is) in retrospect. There are lines, there are paths, there are tangled threads, but there is also compaction and lithification. And there is also space. Five hundred years of time is vast and vacant. It is full of forgetting. Forgetting is the erosion of the matter of the world in a process sympathetic to the erosion of matter in the brain. History is a certain kind of space, then, with certain paths through, certain threads, with certain compaction simultaneously. Heidelberg is the third book in Holly Myers series, including the titles Road Noise and Wild Rough Country all from then/and.
Autorenporträt
Holly Myers is a writer, artist and sometimes-curator based in Santa Fe, New Mexico. Her collection of short fiction, A Cylindrical Object on Fire in the Dark, was published by Insert Blanc Press in 2018. Road Noise, the first in an ongoing series of artist books, was published by her own imprint, then/and publications, in 2018, followed by Wild Rough Country in 2019 and Heidelberg in 2021. In addition to writing fiction, Myers covered the art world as a critic for the Los Angeles Times and the LA Weekly for fifteen years.