Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: The Meaning of Mountains: Geology, History, Culture Sean Ireton and Caroline Schaumann Prelude: Classical Mountain Landscapes and the Language of Ascent Dan Hooley Terra Incognita? Mountains in Medieval and Early Modern German Literature Albrecht Classen From Meadows to Mountaintops: Albrecht von Haller's"Die Alpen" Caroline Schaumann Geo Poetics: The Alpine Sublime in Art and Literature, 1779 1860 Anthony Ozturk Time and Narrative in the Mountain Sublime around 1800 Sean Franzel Faust's Mountains: An Ecocritical Reading of Goethe's Tragedy and Science Heather I. Sullivan Spectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia Sabine Wilke Fascinating Voids: Alexander von Humboldt and the Myth of Chimborazo Oliver Lubrich From Eros to Thanatos: Hiking and Spelunking in Ludwig Tieck's Der Runenberg Peter Arnds Geology, Mountaineering, and Self Formation in Adalbert Stifter's Der Nachsommer Sean Ireton "An Apparition from Another World" The Mountains of the Moon and Kilimanjaro from the Perspective of Nineteenth Century Germany Christof Hamman Leaving the Summit Behind: Tracking Biographical and Philosophical Pathways in Richard Strauss's Eine Alpensinfonie Peter Höyng Elevation and Insight: Thomas Mann's Der Zauberberg Johannes Turk "The Essence of the Alpine World Is Struggle": Strategies of Gesundung in Arnold Fanck's Early Mountain Films Wilfried Wilms PhD "Mountain of Destiny": The Filmic Legacy of Nanga Parbat Harald Hoebusch Spatial Orientation and Embodied Transcendence in Werner Herzog's Mountain Climbing Films Roger F. Cook W. G. Sebald's Magic Mountains Scott Denham Conflicting Ascents: Inscriptions, Cartographies, andDisappearance in Christoph Ransmayr's Der fliegende Berg Olaf Berwald Works Cited Notes on the Contributors Index
Introduction: The Meaning of Mountains: Geology, History, Culture Sean Ireton and Caroline Schaumann Prelude: Classical Mountain Landscapes and the Language of Ascent Dan Hooley Terra Incognita? Mountains in Medieval and Early Modern German Literature Albrecht Classen From Meadows to Mountaintops: Albrecht von Haller's"Die Alpen" Caroline Schaumann Geo Poetics: The Alpine Sublime in Art and Literature, 1779 1860 Anthony Ozturk Time and Narrative in the Mountain Sublime around 1800 Sean Franzel Faust's Mountains: An Ecocritical Reading of Goethe's Tragedy and Science Heather I. Sullivan Spectacular Scenery and Slippery Descents: Narrating the Mountains of Tropical Polynesia Sabine Wilke Fascinating Voids: Alexander von Humboldt and the Myth of Chimborazo Oliver Lubrich From Eros to Thanatos: Hiking and Spelunking in Ludwig Tieck's Der Runenberg Peter Arnds Geology, Mountaineering, and Self Formation in Adalbert Stifter's Der Nachsommer Sean Ireton "An Apparition from Another World" The Mountains of the Moon and Kilimanjaro from the Perspective of Nineteenth Century Germany Christof Hamman Leaving the Summit Behind: Tracking Biographical and Philosophical Pathways in Richard Strauss's Eine Alpensinfonie Peter Höyng Elevation and Insight: Thomas Mann's Der Zauberberg Johannes Turk "The Essence of the Alpine World Is Struggle": Strategies of Gesundung in Arnold Fanck's Early Mountain Films Wilfried Wilms PhD "Mountain of Destiny": The Filmic Legacy of Nanga Parbat Harald Hoebusch Spatial Orientation and Embodied Transcendence in Werner Herzog's Mountain Climbing Films Roger F. Cook W. G. Sebald's Magic Mountains Scott Denham Conflicting Ascents: Inscriptions, Cartographies, andDisappearance in Christoph Ransmayr's Der fliegende Berg Olaf Berwald Works Cited Notes on the Contributors Index
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