Heiner Goebbels and Curatorial Composing After Cage - McKeon, Ed (Goldsmiths, University of London)
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This Element introduces the notion of curatorial composing to account for certain musical practices that emerged as the founding concepts of music as an art à â â instituted in the modern era à â â were systematically dismantled. It argues that these practices shift the paradigm to a curatorial concern for composing public encounters and staging events.

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This Element introduces the notion of curatorial composing to account for certain musical practices that emerged as the founding concepts of music as an art à â â instituted in the modern era à â â were systematically dismantled. It argues that these practices shift the paradigm to a curatorial concern for composing public encounters and staging events.
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