Andere Kunden interessierten sich auch für
![Robert Schumann und Heinrich Heine. Schumanns Liederzyklus]( "Robert Schumann und Heinrich Heine. Schumanns Liederzyklus")
Robert Schumann und Heinrich Heine. Schumanns Liederzyklus "Dichterliebe" op. 48 als Beispiel einer künstlerischen Affirmation15,95 €![The Cambridge Companion to the Lied]( "The Cambridge Companion to the Lied")
The Cambridge Companion to the Lied99,99 €![Heinrich Schenker]( "Heinrich Schenker")
Heinrich Schenker214,99 €![The Manual of Musical Instrument Conservation]( "The Manual of Musical Instrument Conservation")
The Manual of Musical Instrument Conservation139,99 €![The Orchestral Revolution]( "The Orchestral Revolution")
The Orchestral Revolution104,99 €![The Cambridge Companion to Percussion]( "The Cambridge Companion to Percussion")
The Cambridge Companion to Percussion97,99 €![The Cambridge Companion to Electronic Music]( "The Cambridge Companion to Electronic Music")
The Cambridge Companion to Electronic Music92,99 €
A study into the poet Heinrich Heine's impact on nineteenth-century song.
More than any other poet, Heinrich Heine has provided composers for almost two hundred years with texts for music: more than eight thousand compositions to date. Nineteenth-century composers were drawn in particular to a limited selection of Heine's early lyrical works from the Buch der Lieder and the Neue Gedichte for their songs; poems such as 'Du bist wie eine Blume', 'The sea hath its pearls' and 'Was will die einsame Träne' were set to music over and over again. In this book, Youens examines some of the reasons for Heine's popularity, especially the fact that composers in the second quarter of the nineteenth century were drawn to him for songs in radical styles, songs that redefined what Lied could be and do. Specific topics of this book include Schubert's fusion of reinvented song traditions with radical tonal procedures and the political meanings of poetry and song in Schumann's time.
Table of contents:
Preface; 1. In the beginning: Schubert and Heine; 2. Missing links: the Heine songs of Franz Lachner and Johann Vesque von Püttlingen; 3. A Tale of Three Ballads: Heine and the Schumanns; 4. 'A Flower by any other name': song, sex, society, and 'Du bist wie eine Blume'; Bibliography.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
More than any other poet, Heinrich Heine has provided composers for almost two hundred years with texts for music: more than eight thousand compositions to date. Nineteenth-century composers were drawn in particular to a limited selection of Heine's early lyrical works from the Buch der Lieder and the Neue Gedichte for their songs; poems such as 'Du bist wie eine Blume', 'The sea hath its pearls' and 'Was will die einsame Träne' were set to music over and over again. In this book, Youens examines some of the reasons for Heine's popularity, especially the fact that composers in the second quarter of the nineteenth century were drawn to him for songs in radical styles, songs that redefined what Lied could be and do. Specific topics of this book include Schubert's fusion of reinvented song traditions with radical tonal procedures and the political meanings of poetry and song in Schumann's time.
Table of contents:
Preface; 1. In the beginning: Schubert and Heine; 2. Missing links: the Heine songs of Franz Lachner and Johann Vesque von Püttlingen; 3. A Tale of Three Ballads: Heine and the Schumanns; 4. 'A Flower by any other name': song, sex, society, and 'Du bist wie eine Blume'; Bibliography.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.