Pieter Dirksen

Heinrich Scheidemann's Keyboard Music

Transmission, Style and Chronology

• Broschiertes Buch

Produktbeschreibung

One of the most remarkable tales of recent resurrections in the field of early keyboard music concerns the music of Heinrich Scheidemann (c. 1595-1663). Pieter Dirksen considers the transmission of Scheidemann's music as a whole and the repertoire itself . The book will appeal to organologists, harpsichordists, musicologists and historians of seventeenth-century German music as well as historians of keyboard music.

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Taylor & Francis Ltd
• Seitenzahl: 280
• Erscheinungstermin: 7. Dezember 2016
• Englisch
• Abmessung: 158mm x 234mm x 21mm
• Gewicht: 426g
• ISBN-13: 9781138254992
• ISBN-10: 1138254991
• Artikelnr.: 56919432

Autorenporträt

Pieter Dirksen completed his doctorate in musicology 'cum laude' in 1996 and has published widely on baroque keyboard music. He performs as a soloist on both harpsichord and organ as a continuo player with various chamber ensembles and orchestras.

Inhaltsangabe

Contents: Introduction. Part One The Sources: Early sources [i]: the WolfenbÃ
ttel autographs; Early sources [ii]: the 'Sweelinck' sources; Middle-period sources [i]: the Zellerfeld tablatures; Middle-period sources [ii]; Late sources: LÃ
neburg, Pelplin and the 'clavier' anthologies; The dates found in the sources. Part Two Chronology: Toccatas and 'free' imitative pieces; Harpsichord variations and dances; Praeambula and praeludiae; Chorale cycles; Chorale fantasias and Magnificat cycles; Intabulations; Scheidemann's development as a keyboard composer. Part Three Special Studies: More on the DÃ
ben tablature and its background; Scheidemann's 'kunstreiche Manuduction auf dem Clavier': fingering in the Scheidemann sources; Ulf Grapenthin: the Catharinen organ during Scheidemann's tenure; Scheidemann in Otterndorf: registration practice; Appendices; Bibliography; Indexes.