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In this, her bestselling second novel, Ethel Carnie Holdsworth adapts a formula popularised by the Bronte sisters to write a tale of dark and gothic romance set in the Lancashire hills. First published anonymously in 1917 amid the tumult of World War I, the novel quickly achieved strong sales in Britain and the US. By 1920 the author was working with Cecil Hepworth, a lauded pioneer of silent cinema, on the film version. In her fascinating introduction to the novel, Pamela Fox analyses Carnie Holdsworth's popular and political writings and discusses how in Helen of Four Gates, Carnie…mehr

Produktbeschreibung
In this, her bestselling second novel, Ethel Carnie Holdsworth adapts a formula popularised by the Bronte sisters to write a tale of dark and gothic romance set in the Lancashire hills. First published anonymously in 1917 amid the tumult of World War I, the novel quickly achieved strong sales in Britain and the US. By 1920 the author was working with Cecil Hepworth, a lauded pioneer of silent cinema, on the film version. In her fascinating introduction to the novel, Pamela Fox analyses Carnie Holdsworth's popular and political writings and discusses how in Helen of Four Gates, Carnie Holdsworth makes a powerful and important contribution both to early cinema and to working-class writing as a whole.
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Autorenporträt
Ethel Carnie Holdsworth (1886-1962) was a working-class writer and socialist activist who campaigned for social and economic justice and the rights of working-class men and women. A poet, journalist, writer for children, and novelist, she worked in the Lancashire cotton mills from the age of eleven until her early twenties. She left the mills through the patronage of the popular socialist author and Clarion leader, Robert Blatchford (1851-1943), and worked as a journalist in London and as a teacher at Bebel House Women's College and Socialist Education Centre, before returning back North to her roots. She had two daughters and edited the Clear Light, the organ of the National Union for Combating Fascism, with her husband from their home in the 1920s. She wrote at least ten novels, making her a rare example of a female working-class novelist.