Steege explores Helmholtz's significance within a historical shift in the theory and practice of listening in nineteenth-century European culture.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Benjamin Steege is Assistant Professor of Music at Columbia University. He specializes in the history of music theory in the nineteenth and twentieth centuries, with particular emphasis on musical and scientific modernisms, the history of psychology and the history of listening. His work has appeared in publications including Current Musicology, the Journal of the American Musicological Society and the Journal of Music Theory.
Inhaltsangabe
Chronology Introduction 1. Popular sensations 2. Refunctioning the ear 3. The problem of attention 4. Tonal theory as liberal progressive history 5. Voices of reform Epilogue: Helmholtz and modernism Bibliography.
Chronology Introduction 1. Popular sensations 2. Refunctioning the ear 3. The problem of attention 4. Tonal theory as liberal progressive history 5. Voices of reform Epilogue: Helmholtz and modernism Bibliography.
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