Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalisms, and other versions of postracialism in the Americas.
Danielle Roper examines blackface performance and its relationship to twentieth- and twenty-first-century nationalist fictions of mestizaje, creole nationalisms, and other versions of postracialism in the Americas.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments ix Introduction. Scenes of Racial Enjoyment in the Hemispheric Fold 1 1. Blackface and Racial Scripts at the Andean Fiesta: Staging the Slave Past in the Andes 26 2. Doing Antiblackness in the Hemispheric Fold: Blackface Performance in Miami in the Age of Obama 59 3. Flipping the Racial Script: Blackface Performance as Resistance in Colombia 87 4. The Postcolonial Below: Roots Theater and Black Enjoyment in Jamaica 136 Conclusion. Hemispheric Blackface and Its Afterlives 172 Notes 181 Bibliography 213 Index 233
Acknowledgments ix Introduction. Scenes of Racial Enjoyment in the Hemispheric Fold 1 1. Blackface and Racial Scripts at the Andean Fiesta: Staging the Slave Past in the Andes 26 2. Doing Antiblackness in the Hemispheric Fold: Blackface Performance in Miami in the Age of Obama 59 3. Flipping the Racial Script: Blackface Performance as Resistance in Colombia 87 4. The Postcolonial Below: Roots Theater and Black Enjoyment in Jamaica 136 Conclusion. Hemispheric Blackface and Its Afterlives 172 Notes 181 Bibliography 213 Index 233
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826