Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.
Benjamin Piekut tells the story of the English experimental rock band Henry Cow and how it linked its improvisational musical aesthetic with a collectivist, progressive politics.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Benjamin Piekut is Associate Professor of Music at Cornell University, author of Experimentalism Otherwise: The New York Avant-Garde and Its Limits, and editor of Tomorrow is the Question: New Directions in Experimental Music Studies.
Inhaltsangabe
Preface vii Acknowledgments xi Introduction. Feral Experimentalism 1 1. You Can't Play This Music at Cambridge 1968–73 29 2. Faust and the Virgins 1973 76 3. Contentment Is Hopeless, Unrest Is Progress 1974 119 4. Death to the Individual: Slapp Happy 1974–75 157 5. Europa 1975–76 199 6. The Roads Leading to Rome 1976–77 242 7. No Joy Anymore London 1977 293 8. Henry Cow Always Had to Be Henry Cow 1978 345 Afterword. The Vernacular Avant-Garde 387 Notes 409 Bibliography 455 Index 479
Preface vii Acknowledgments xi Introduction. Feral Experimentalism 1 1. You Can't Play This Music at Cambridge 1968–73 29 2. Faust and the Virgins 1973 76 3. Contentment Is Hopeless, Unrest Is Progress 1974 119 4. Death to the Individual: Slapp Happy 1974–75 157 5. Europa 1975–76 199 6. The Roads Leading to Rome 1976–77 242 7. No Joy Anymore London 1977 293 8. Henry Cow Always Had to Be Henry Cow 1978 345 Afterword. The Vernacular Avant-Garde 387 Notes 409 Bibliography 455 Index 479
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