13,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
  • Broschiertes Buch

Luigi Pirandello [28 June 1867 - 10 December 1936) was an Italian dramatist, novelist, and short story writer awarded the Nobel Prize in Literature in 1934, for his "bold and brilliant renovation of the drama and the stage". Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners for Theatre of the Absurd. Henry IV is a man who went mad after being knocked off his horse during a masquerade. At the time he was playing the part of Henry IV, and his delusion for over twelve…mehr

Produktbeschreibung
Luigi Pirandello [28 June 1867 - 10 December 1936) was an Italian dramatist, novelist, and short story writer awarded the Nobel Prize in Literature in 1934, for his "bold and brilliant renovation of the drama and the stage". Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners for Theatre of the Absurd. Henry IV is a man who went mad after being knocked off his horse during a masquerade. At the time he was playing the part of Henry IV, and his delusion for over twelve years after the fall was that he was King Henry IV of Germany during the eleventh century. He has been placed in a "castle" with four valets, or "private counselors", all paid for by his nephew Di Nolli. The play opens in the throne room with Berthold, a new valet who has just been hired, learning from the other three valets. Berthold is being taught everything he needs to know in order to work for Henry IV and take care of the madman...
Autorenporträt
LUIGI PIRANDELLO (Girgenti 1867 - Rome 1936) was arguably the most influential playwright in the 20th century, and his writings attract even more scholarly attention today. His plays challenge incessantly our perception of reality, exposing the grotesque elements that make up all manner of social behaviour. He has been criticised for paying lip service to Mussolini's regime, but the prevailing scholarship today recognizes the real purpose behind the playwright's political stance: Pirandello's interest, first and foremost, was to promote his theatre, and he did not hesitate to "act" in order to gain the necessary government backing. Significantly, Alice Rohe regarded him as the harbinger of a new Italian Renaissance. Pirandello was awarded the Nobel Prize for Literature in 1934.