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This is the first book thoroughly to explore the musical style of Henry Purcell.
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This is the first book thoroughly to explore the musical style of Henry Purcell.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 404
- Erscheinungstermin: 30. November 2008
- Englisch
- Abmessung: 229mm x 152mm x 24mm
- Gewicht: 653g
- ISBN-13: 9780521106917
- ISBN-10: 0521106915
- Artikelnr.: 25856884
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 404
- Erscheinungstermin: 30. November 2008
- Englisch
- Abmessung: 229mm x 152mm x 24mm
- Gewicht: 653g
- ISBN-13: 9780521106917
- ISBN-10: 0521106915
- Artikelnr.: 25856884
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Preface
Acknowledgements
Part I. Stylistic development and influences: 1. Early years at court and home: developments to c. 1685
2. Years of experiment: c. 1680 to c. 1685
3. Consolidation: c. 1685 to c. 1688
4. Public recognition: c. 1689 to c. 1691
5. 'Meaning motion fans fresh our wits with wonder': c. 1692 to 1695
Part II. Analytical and Generic Studies: 6. 'Clog'd with somewhat of an English vein': early instrumental music, the fantasias and sonatas
7. 'Bassani's genius to Corelli joyn'd': instrumental music in the odes, the anthems and on the stage
8. Early mastery: sacred music to c. 1685
9. Brilliance and decline: sacred music after c. 1685
10. 'The energy of English words': independent songs fro one or more voices
11. A new genre: odes to 1689
12. Consolidation and maturity: odes from 1689 to 1695
13. Background and beginnings: dramatic music to 1689
14. 'An English-man, equal with the best abroad': dramatic music from 1690 to 1691
15. 'The pride and darling of the stage': dramatic music from 1692 to 1695
Notes
Bibliography
Indexes.
Acknowledgements
Part I. Stylistic development and influences: 1. Early years at court and home: developments to c. 1685
2. Years of experiment: c. 1680 to c. 1685
3. Consolidation: c. 1685 to c. 1688
4. Public recognition: c. 1689 to c. 1691
5. 'Meaning motion fans fresh our wits with wonder': c. 1692 to 1695
Part II. Analytical and Generic Studies: 6. 'Clog'd with somewhat of an English vein': early instrumental music, the fantasias and sonatas
7. 'Bassani's genius to Corelli joyn'd': instrumental music in the odes, the anthems and on the stage
8. Early mastery: sacred music to c. 1685
9. Brilliance and decline: sacred music after c. 1685
10. 'The energy of English words': independent songs fro one or more voices
11. A new genre: odes to 1689
12. Consolidation and maturity: odes from 1689 to 1695
13. Background and beginnings: dramatic music to 1689
14. 'An English-man, equal with the best abroad': dramatic music from 1690 to 1691
15. 'The pride and darling of the stage': dramatic music from 1692 to 1695
Notes
Bibliography
Indexes.
Preface
Acknowledgements
Part I. Stylistic development and influences: 1. Early years at court and home: developments to c. 1685
2. Years of experiment: c. 1680 to c. 1685
3. Consolidation: c. 1685 to c. 1688
4. Public recognition: c. 1689 to c. 1691
5. 'Meaning motion fans fresh our wits with wonder': c. 1692 to 1695
Part II. Analytical and Generic Studies: 6. 'Clog'd with somewhat of an English vein': early instrumental music, the fantasias and sonatas
7. 'Bassani's genius to Corelli joyn'd': instrumental music in the odes, the anthems and on the stage
8. Early mastery: sacred music to c. 1685
9. Brilliance and decline: sacred music after c. 1685
10. 'The energy of English words': independent songs fro one or more voices
11. A new genre: odes to 1689
12. Consolidation and maturity: odes from 1689 to 1695
13. Background and beginnings: dramatic music to 1689
14. 'An English-man, equal with the best abroad': dramatic music from 1690 to 1691
15. 'The pride and darling of the stage': dramatic music from 1692 to 1695
Notes
Bibliography
Indexes.
Acknowledgements
Part I. Stylistic development and influences: 1. Early years at court and home: developments to c. 1685
2. Years of experiment: c. 1680 to c. 1685
3. Consolidation: c. 1685 to c. 1688
4. Public recognition: c. 1689 to c. 1691
5. 'Meaning motion fans fresh our wits with wonder': c. 1692 to 1695
Part II. Analytical and Generic Studies: 6. 'Clog'd with somewhat of an English vein': early instrumental music, the fantasias and sonatas
7. 'Bassani's genius to Corelli joyn'd': instrumental music in the odes, the anthems and on the stage
8. Early mastery: sacred music to c. 1685
9. Brilliance and decline: sacred music after c. 1685
10. 'The energy of English words': independent songs fro one or more voices
11. A new genre: odes to 1689
12. Consolidation and maturity: odes from 1689 to 1695
13. Background and beginnings: dramatic music to 1689
14. 'An English-man, equal with the best abroad': dramatic music from 1690 to 1691
15. 'The pride and darling of the stage': dramatic music from 1692 to 1695
Notes
Bibliography
Indexes.