Under the scrutiny of John Sutherland and Cedric Watts, Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending?
"Shakespeare loves loose ends; Shakespeare also loves red herrings." - Stephen Orgel. Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of John Sutherland and Cedric Watts, Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask "O Romeo Montague, wherefore art thou Montague?";These discussions shed light on apparent anachronisms, performance and stagecraft, linguistics, Star Trek and much else.
"Shakespeare loves loose ends; Shakespeare also loves red herrings." - Stephen Orgel. Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of John Sutherland and Cedric Watts, Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania make love? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask "O Romeo Montague, wherefore art thou Montague?";These discussions shed light on apparent anachronisms, performance and stagecraft, linguistics, Star Trek and much else.