Provides an overview of Johann Gottfried Herder's aesthetics, interpreted as a naturalist theory with transformative historical significance for European philosophy.
Provides an overview of Johann Gottfried Herder's aesthetics, interpreted as a naturalist theory with transformative historical significance for European philosophy.
Rachel Zuckert is Professor of Philosophy at Northwestern University, Illinois. She is author of the prizewinning Kant on Beauty and Biology (Cambridge, 2007) and co-editor of Hegel on Philosophy in History (Cambridge, 2017).
Inhaltsangabe
Introduction Part I. Herder's Aesthetics: 1. Herder's philosophical naturalism 2. Synthesis and critique of eighteenth-century aesthetics 3. Aesthetics of the senses 4. Aesthetics of expression: coda cultural variation and taste Part II. Explorations: 5. The problem of the sublime 6. Sculpture and touch 7. Aesthetics and (in)authenticity: Herder's reputation of Ossian Conclusion.
Introduction Part I. Herder's Aesthetics: 1. Herder's philosophical naturalism 2. Synthesis and critique of eighteenth-century aesthetics 3. Aesthetics of the senses 4. Aesthetics of expression: coda cultural variation and taste Part II. Explorations: 5. The problem of the sublime 6. Sculpture and touch 7. Aesthetics and (in)authenticity: Herder's reputation of Ossian Conclusion.
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