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Called “astonishingly assured” by The Guardian, the nine stories that make up Elizabeth McCracken’s debut story collection deal with oddball characters doing their very best to forge connections with those around them. In “It’s Bad Luck to Die” a woman marries an older tattoo artist and finds comfort in agreeing to act as a canvas for his most elaborate work. “Some Have Entertained Angels, Unaware” follows a young girl as she comes face to face with a cast of eccentrics her recently widowed father has invited to live in their expansive but dilapidated home. And in the title story, a young man…mehr

Produktbeschreibung
Called “astonishingly assured” by The Guardian, the nine stories that make up Elizabeth McCracken’s debut story collection deal with oddball characters doing their very best to forge connections with those around them. In “It’s Bad Luck to Die” a woman marries an older tattoo artist and finds comfort in agreeing to act as a canvas for his most elaborate work. “Some Have Entertained Angels, Unaware” follows a young girl as she comes face to face with a cast of eccentrics her recently widowed father has invited to live in their expansive but dilapidated home. And in the title story, a young man and his wife are perplexed when an outspoken old woman shows up on their doorstep for a visit, claiming to be a distant aunt, even though she can’t be traced on a family tree. At once captivating and offbeat, Here’s Your Hat What’s Your Hurry is a dazzling showcase of the early years of Elizabeth McCracken’s prodigious talent.
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Autorenporträt
Elizabeth McCracken is the author of eight books, including The Hero of This Book, The Souvenir Museum (long-listed for the National Book Award),  Bowlaway, Thunderstruck & Other Stories (winner of the 2014 Story Prize and long-listed for the National Book Award), and The Giant’s House (a National Book Award finalist). Her stories have appeared in The Best American Short Stories and have won three Pushcart Prizes, a National Magazine Award, and an O. Henry Prize. She has served on the faculty at the Iowa Writers’ Workshop and currently holds the James A. Michener Chair in Fiction at the University of Texas at Austin.