Heretics - Chesterton, G. K.
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British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language In this collection of twenty classic essays, first published in 1905, Chesterton cleverly and wisely develops his ideas…mehr

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Produktbeschreibung
British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language In this collection of twenty classic essays, first published in 1905, Chesterton cleverly and wisely develops his ideas about "heretics"-or those who have the great misfortune not to share his moderate outlook on the world. Essays include: . "On the Importance of Orthodoxy" . "On Mr. Rudyard Kipling and Making the World Small" . "Mr. Bernard Shaw" . "Mr. H. G. Wells and the Giants" . "Christmas and the Aesthetes" . "On Scandals and Simplicity" . "Science and the Savages" . "Celts and Celtophiles" . "On Smart Novelists and the Smart Set" . "On the Wit of [James McNeill] Whistler" . and others.
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Autorenporträt
G. K. Chesterton (1874-1936) was a prolific English writer, philosopher, lay theologian, and literary and art critic. He is best known in mystery circles as the creator of the fictional priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Often referred to as "the prince of paradox," Chesterton frequently made his points by turning familiar sayings and proverbs inside out. Chesterton attended the Slade School of Art, a department of University College London, where he took classes in illustration and literature, though he did not complete a degree in either subject. In 1895, at the age of twenty-one, he began working for the London publisher George Redway. A year later he moved to another publisher, T. Fisher Unwin, where he undertook his first work in journalism, illustration, and literary criticism. In addition to writing fifty-three Father Brown stories, Chesterton authored articles and books of social criticism, philosophy, theology, economics, literary criticism, biography, and poetry.