Heritage and Social Media provides readers with a critical framework to understand how the participatory culture fostered by social media changes the way in which we experience and think of heritage. By introducing readers to how social media are theorized and used, particularly outside the institutional domain, the volume reveals through groundbreaking case studies the emerging heritage practices unique to social media. In doing so, the book unveils the new issues that are emerging from these practices and the new space for debate and critical argumentation that is required to illuminate what can be done in this burgeoning sector of heritage work.…mehr
Heritage and Social Media provides readers with a critical framework to understand how the participatory culture fostered by social media changes the way in which we experience and think of heritage. By introducing readers to how social media are theorized and used, particularly outside the institutional domain, the volume reveals through groundbreaking case studies the emerging heritage practices unique to social media. In doing so, the book unveils the new issues that are emerging from these practices and the new space for debate and critical argumentation that is required to illuminate what can be done in this burgeoning sector of heritage work.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Elisa Giaccardi is Chair of Interactive Media Design at Delft University of Technology, The Netherlands. She works at the intersection of interaction design and social media, with an active interest in living heritage practices. Her contributions to this subject comprise research and design work on collective memories, affective geographies, and emerging curatorial practices.
Inhaltsangabe
Foreword Introduction: Reframing heritage in a participatory culture Part I: Social Practice 1. Collective memory as affirmation: People-centered cultural heritage in a digital age 2. Socially distributed curation of the Bhopal disaster: A case of grassroots heritage in the crisis context 3. Museum of the self and digital death: An emerging curatorial dilemma 4. Social traces: Participation and the creation of shared heritage Part II: Public Formation 5. Remembering together: Social media and the formation of the historical present 6. Heritage knowledge, social media, and the sustainability of the intangible 7. Connecting to everyday practices: Experiences from the Digital Natives exhibition 8. The rise of the media museum: Creating interactive cultural experiences through social media Part III: Sense of Place 9. Mosaics and multiples: Online digital photography and the framing of heritage 10. Mobile Ouija Boards 11. Extending connections between land and people digitally: Designing with rural Herero communities in Namibia 12. Situating the sociability of interactive museum guides Afterword
Foreword Introduction: Reframing heritage in a participatory culture Part I: Social Practice 1. Collective memory as affirmation: People-centered cultural heritage in a digital age 2. Socially distributed curation of the Bhopal disaster: A case of grassroots heritage in the crisis context 3. Museum of the self and digital death: An emerging curatorial dilemma 4. Social traces: Participation and the creation of shared heritage Part II: Public Formation 5. Remembering together: Social media and the formation of the historical present 6. Heritage knowledge, social media, and the sustainability of the intangible 7. Connecting to everyday practices: Experiences from the Digital Natives exhibition 8. The rise of the media museum: Creating interactive cultural experiences through social media Part III: Sense of Place 9. Mosaics and multiples: Online digital photography and the framing of heritage 10. Mobile Ouija Boards 11. Extending connections between land and people digitally: Designing with rural Herero communities in Namibia 12. Situating the sociability of interactive museum guides Afterword
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