An ambitious, revisionary study of not only Herman Melville's political philosophy, but also of our own deeply inhuman condition.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael Jonik teaches American literature at the University of Sussex. He writes on pre-1900 American literature, continental philosophy, and the history of science, with essays on Berkeley, Thoreau, Hawthorne, and James. He has won a Cornell Society for the Humanities Postdoctoral Fellowship, a Leverhulme Research Grant, and, in 2015, the Society for the Advancement of American Philosophy prize 'for the paper that makes the most significant contribution to the history of American Philosophy from colonial times to the present.' He is founding member of The British Association of Nineteenth-Century Americanists (BrANCA), and Reviews and Special Issues editor for Textual Practice.
Inhaltsangabe
Introduction: Melville's inhumanities 1. 'The constituents of a chaos': character, materiality and ethopolitics in Moby-Dick 2. A geology of murmurs: Pierre's inhuman transformations 3. Outlandish beings, outlandish politics: 'The Encantadas, or Enchanted Isles' 4. Misanthropology: commonality and its discontents in The Confidence-Man 5. 'Where wild rocks are set': character and the space of Clarel 6. Form, relation, and dissolution in Melville's later poetry Coda: impulsive Billy Budd.
Introduction: Melville's inhumanities 1. 'The constituents of a chaos': character, materiality and ethopolitics in Moby-Dick 2. A geology of murmurs: Pierre's inhuman transformations 3. Outlandish beings, outlandish politics: 'The Encantadas, or Enchanted Isles' 4. Misanthropology: commonality and its discontents in The Confidence-Man 5. 'Where wild rocks are set': character and the space of Clarel 6. Form, relation, and dissolution in Melville's later poetry Coda: impulsive Billy Budd.
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