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Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluates our current understandings of musica (TM)s transformative power. The engagement with critical musicologists and philosophers, including Adorno, Gadamer, and Ricoeur, provides a nuanced analysis of the crucial issues affecting the theory and practice of music criticism. By challenging musical hermeneuticsa (TM)…mehr

Produktbeschreibung
Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluates our current understandings of musica (TM)s transformative power. The engagement with critical musicologists and philosophers, including Adorno, Gadamer, and Ricoeur, provides a nuanced analysis of the crucial issues affecting the theory and practice of music criticism. By challenging musical hermeneuticsa (TM) deployment as a means of deciphering social values and meanings, Hermeneutics and Music Criticism offers an answer to the long-standing question of how musica (TM)s expression of moods and feelings affects us and our relation to the world.
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Autorenporträt
Roger W. H. Savage teaches at the University of California, Los Angeles. He has published articles on aesthetics, music and philosophy in Telos, Philosophy and Literature, The European Legacy, The British Journal of Aesthetics, ex tempore and Selected Reports in Ethnomusicology.