Hidden in the Mix
The African American Presence in Country Music
Herausgeber: Pecknold, Diane
Hidden in the Mix
The African American Presence in Country Music
Herausgeber: Pecknold, Diane
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A collection of essays considering how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities.
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A collection of essays considering how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 392
- Erscheinungstermin: 10. Juli 2013
- Englisch
- Abmessung: 239mm x 163mm x 28mm
- Gewicht: 680g
- ISBN-13: 9780822351498
- ISBN-10: 0822351498
- Artikelnr.: 36608315
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Duke University Press
- Seitenzahl: 392
- Erscheinungstermin: 10. Juli 2013
- Englisch
- Abmessung: 239mm x 163mm x 28mm
- Gewicht: 680g
- ISBN-13: 9780822351498
- ISBN-10: 0822351498
- Artikelnr.: 36608315
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Diane Pecknold is Associate Professor of Women's and Gender Studies at the University of Louisville. She is the author of The Selling Sound: The Rise of the Country Music Industry, also published by Duke University Press, and editor (with Kristine M. McCusker) of A Boy Named Sue: Gender and Country Music.
Introduction. Country Music and Racial Formation / Diane Pecknold 1
Part One. Playing in the Dark
1. Black Hillbillies: African American Musicians on Old-Time Records,
1924-1932 / Patrick Huber 19
2. Making Country Modern: The Legacy of Modern Sounds in Country and
Western Music / Diane Pecknold 82
3. Contested Origins: Arnold Schultz and the Music of Western Kentucky /
Erika Brady 100
4. Fiddling with Race Relations in Rural Kentucky: The Life, Times, and
Contested Identity of Fiddlin' Bill Livers / Jeffrey A. Keith 119
Part Two. New Antiphonies
5. Why African Americans Put the Banjo Down / Tony Thomas 143
6. Old-Time Country Music in North Carolina and Virginia: The 1970s and
1980s / Kip Lornell 171
7. "The South's Gonna Do It Again": Changing Conceptions of the Use of
"Country" Music in the Albums of Al Green / Michael Awkward 191
8. Dancing the Habanera Beats (in Country Music): The Creole-Country
Two-Step in St. Lucia and Its Diaspora / Jerry Wever 204
9. Playing Chicken with the Train: Cowboy Troy's Hick-Hop and the
Transracial Country West / Adam Gussow 234
10. If Only They Could Read between the Lines: Alice Randall and the
Integration of Country Music / Barbara Ching 263
11. You're My Soul Song: How Southern Soul Changed Country Music / Charles
L. Hughes 283
12. What's Syd Got to Do with It? King Records, Henry Glover, and the
Complex Achievement of Crossover / David Sanjek 306
Bibliography 339
Contributors 361
Index 365
Part One. Playing in the Dark
1. Black Hillbillies: African American Musicians on Old-Time Records,
1924-1932 / Patrick Huber 19
2. Making Country Modern: The Legacy of Modern Sounds in Country and
Western Music / Diane Pecknold 82
3. Contested Origins: Arnold Schultz and the Music of Western Kentucky /
Erika Brady 100
4. Fiddling with Race Relations in Rural Kentucky: The Life, Times, and
Contested Identity of Fiddlin' Bill Livers / Jeffrey A. Keith 119
Part Two. New Antiphonies
5. Why African Americans Put the Banjo Down / Tony Thomas 143
6. Old-Time Country Music in North Carolina and Virginia: The 1970s and
1980s / Kip Lornell 171
7. "The South's Gonna Do It Again": Changing Conceptions of the Use of
"Country" Music in the Albums of Al Green / Michael Awkward 191
8. Dancing the Habanera Beats (in Country Music): The Creole-Country
Two-Step in St. Lucia and Its Diaspora / Jerry Wever 204
9. Playing Chicken with the Train: Cowboy Troy's Hick-Hop and the
Transracial Country West / Adam Gussow 234
10. If Only They Could Read between the Lines: Alice Randall and the
Integration of Country Music / Barbara Ching 263
11. You're My Soul Song: How Southern Soul Changed Country Music / Charles
L. Hughes 283
12. What's Syd Got to Do with It? King Records, Henry Glover, and the
Complex Achievement of Crossover / David Sanjek 306
Bibliography 339
Contributors 361
Index 365
Introduction. Country Music and Racial Formation / Diane Pecknold 1
Part One. Playing in the Dark
1. Black Hillbillies: African American Musicians on Old-Time Records,
1924-1932 / Patrick Huber 19
2. Making Country Modern: The Legacy of Modern Sounds in Country and
Western Music / Diane Pecknold 82
3. Contested Origins: Arnold Schultz and the Music of Western Kentucky /
Erika Brady 100
4. Fiddling with Race Relations in Rural Kentucky: The Life, Times, and
Contested Identity of Fiddlin' Bill Livers / Jeffrey A. Keith 119
Part Two. New Antiphonies
5. Why African Americans Put the Banjo Down / Tony Thomas 143
6. Old-Time Country Music in North Carolina and Virginia: The 1970s and
1980s / Kip Lornell 171
7. "The South's Gonna Do It Again": Changing Conceptions of the Use of
"Country" Music in the Albums of Al Green / Michael Awkward 191
8. Dancing the Habanera Beats (in Country Music): The Creole-Country
Two-Step in St. Lucia and Its Diaspora / Jerry Wever 204
9. Playing Chicken with the Train: Cowboy Troy's Hick-Hop and the
Transracial Country West / Adam Gussow 234
10. If Only They Could Read between the Lines: Alice Randall and the
Integration of Country Music / Barbara Ching 263
11. You're My Soul Song: How Southern Soul Changed Country Music / Charles
L. Hughes 283
12. What's Syd Got to Do with It? King Records, Henry Glover, and the
Complex Achievement of Crossover / David Sanjek 306
Bibliography 339
Contributors 361
Index 365
Part One. Playing in the Dark
1. Black Hillbillies: African American Musicians on Old-Time Records,
1924-1932 / Patrick Huber 19
2. Making Country Modern: The Legacy of Modern Sounds in Country and
Western Music / Diane Pecknold 82
3. Contested Origins: Arnold Schultz and the Music of Western Kentucky /
Erika Brady 100
4. Fiddling with Race Relations in Rural Kentucky: The Life, Times, and
Contested Identity of Fiddlin' Bill Livers / Jeffrey A. Keith 119
Part Two. New Antiphonies
5. Why African Americans Put the Banjo Down / Tony Thomas 143
6. Old-Time Country Music in North Carolina and Virginia: The 1970s and
1980s / Kip Lornell 171
7. "The South's Gonna Do It Again": Changing Conceptions of the Use of
"Country" Music in the Albums of Al Green / Michael Awkward 191
8. Dancing the Habanera Beats (in Country Music): The Creole-Country
Two-Step in St. Lucia and Its Diaspora / Jerry Wever 204
9. Playing Chicken with the Train: Cowboy Troy's Hick-Hop and the
Transracial Country West / Adam Gussow 234
10. If Only They Could Read between the Lines: Alice Randall and the
Integration of Country Music / Barbara Ching 263
11. You're My Soul Song: How Southern Soul Changed Country Music / Charles
L. Hughes 283
12. What's Syd Got to Do with It? King Records, Henry Glover, and the
Complex Achievement of Crossover / David Sanjek 306
Bibliography 339
Contributors 361
Index 365