High Culture
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This is the first comprehensive text to address addiction and its multiple effects on and extensions into art, literature, philosophy, and psychology. Most research into addiction has taken place within the disciplines of medicine, criminology, politics, and social psychology. When seen from a broad cultural perspective, however, addiction emerges directly alongside modernity, haunting its various discourses of digression, dissent, and the transcendence of the commonplace. Who could even imagine modern writing without the addictive, visionary excesses of writers like Baudelaire, DeQuincey,…mehr

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Produktbeschreibung
This is the first comprehensive text to address addiction and its multiple effects on and extensions into art, literature, philosophy, and psychology. Most research into addiction has taken place within the disciplines of medicine, criminology, politics, and social psychology. When seen from a broad cultural perspective, however, addiction emerges directly alongside modernity, haunting its various discourses of digression, dissent, and the transcendence of the commonplace. Who could even imagine modern writing without the addictive, visionary excesses of writers like Baudelaire, DeQuincey, Poe, Burroughs, or Artaud? Or, for that matter, modern culture without its "outsiders, " its incorrigible addicts, its defaced subjects: smokers, users, overeaters, alcoholics, the insane?
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Autorenporträt
Anna Alexander teaches at the Simone de Beauvoir Institute, Concordia University in Montreal. Mark S. Roberts teaches in the Department of Philosophy at State University of New York at Stony Brook.