Hildegard von Bingen's Ordo Virtutum
A Musical and Metaphysical Analysis
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Michael C. Gardiner examines how classical Neoplatonic hierarchies are established in the Ordo Virtutum, Hildegard von Bingenâ s twelfth-century music-drama, and considers how these hierarchies are mediated and subverted through a series of concentric absorptions which lie at the core of the workâ s musical design and text.
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