A handsomely redesigned edition of essays examining Hilma af Klint's final abstractionsHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Daniel Birnbaum, art critic and artistic director of Acute Art in London and former director of the Moderna Museet, Stockholm. Briony Fer, Professor of History of Art at University College, London. Branden W. Joseph, Frank Gallipoli Professor of Modern and Contemporary Art in the Department of Art History and Archaeology at Columbia University. David Lomas, Professor of Art History at the University of Manchester. Hans Ulrich Obrist, Artistic Director of the Serpentine Galleries, London.
Inhaltsangabe
Foreword (Kurt Almqvist & Louise Belfrage) Plates (Hilma af Klint: Series II, III, IV, V, VI, VII and VIII) An Extraordinary Opportunity (Hans Ulrich Obrist) Hilma af Klint: The Outsider Inside Herself (Briony Fer) Roots to Abstraction: Hilma af Klint and botany (David Lomas) Knowledge, Painting, Abstraction and Desire (Branden W. Joseph) Afterword (Daniel Birnbaum Notes and References Contributor
Foreword (Kurt Almqvist & Louise Belfrage) Plates (Hilma af Klint: Series II, III, IV, V, VI, VII and VIII) An Extraordinary Opportunity (Hans Ulrich Obrist) Hilma af Klint: The Outsider Inside Herself (Briony Fer) Roots to Abstraction: Hilma af Klint and botany (David Lomas) Knowledge, Painting, Abstraction and Desire (Branden W. Joseph) Afterword (Daniel Birnbaum Notes and References Contributor
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