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Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India.

Produktbeschreibung
Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India.
Autorenporträt
Nandini Bhattacharya is Professor of English and affiliate of Film, Women's Studies and Africana Studies programs at Texas A&M University, USA. Her interests include South Asia, Postcoloniality, Cinema, Gender and Transnationalism.