This book centers on the literary activities emerging out of the north Indian publishing house Ganga Pustak Mala and its house periodical Sudha, a literary, social, political and illustrated monthly in the first half of the twentieth century. Building on the defining work of G¿rd Genette on paratexts as well as on scholarship on text-image relationships, this book charts the emergence and commercialization as well as nationalization of Hindi literaryproduction in the city of Lucknow.
This book centers on the literary activities emerging out of the north Indian publishing house Ganga Pustak Mala and its house periodical Sudha, a literary, social, political and illustrated monthly in the first half of the twentieth century. Building on the defining work of G¿rd Genette on paratexts as well as on scholarship on text-image relationships, this book charts the emergence and commercialization as well as nationalization of Hindi literaryproduction in the city of Lucknow.
Shobna Nijhawan, Associate Professor, Department of Languages, Literatures, and Linguistics, York University
Inhaltsangabe
* List of Illustrations, Figures and Maps Acknowledgements Note on Orthography and Translation Introduction: Gender, Genre, and Visuality: New Approaches to the Study of Periodicals Chapter One: The Hindi Literary Sphere (1920s1940s): A Micro-Perspective from Lucknow Chapter Two: Marketing Sudha (1927-1941): Objectives, Scopes, and Appeal Chapter Three: 'Canon' Formation (Part I): Literature for Middle-Class Readers Chapter Four: 'Canon' Formation (Part II): Sudha's Repository of Knowledge Conclusion: Literary Visions and Gendered Visuality in the Hindi Public Sphere Bibliography Index About the Author
* List of Illustrations, Figures and Maps Acknowledgements Note on Orthography and Translation Introduction: Gender, Genre, and Visuality: New Approaches to the Study of Periodicals Chapter One: The Hindi Literary Sphere (1920s1940s): A Micro-Perspective from Lucknow Chapter Two: Marketing Sudha (1927-1941): Objectives, Scopes, and Appeal Chapter Three: 'Canon' Formation (Part I): Literature for Middle-Class Readers Chapter Four: 'Canon' Formation (Part II): Sudha's Repository of Knowledge Conclusion: Literary Visions and Gendered Visuality in the Hindi Public Sphere Bibliography Index About the Author
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