Ethnographic study of South Asian American hip hop artists that looks at the cultural and political implications of these artists' use of black popular culture to create and express racial alliances.
Ethnographic study of South Asian American hip hop artists that looks at the cultural and political implications of these artists' use of black popular culture to create and express racial alliances.
Preface ix Acknowledgments xiii Introduction: Claiming Space, Making Race 1 1. Alternative Ethnics: Rotten Coconuts and Ethnic Hip Hop 37 2. Making Race: Desi Racial Identities, South Asian and Black Relations, and Racialized Hip Hop 88 3. Flipping the Gender Script: Gender and Sexuality in South Asian and Hip Hop America 138 4. The Appeal of Hip Hop, Ownership, and the Politics of Location 190 5. Sampling South Asians: Dual Flows of Appropriation and the Possibilities of Authenticity 234 Conclusion: Turning Thoughts into Action through the Politics of Identification 283 Notes 301 References 315 Index 335
Preface ix Acknowledgments xiii Introduction: Claiming Space, Making Race 1 1. Alternative Ethnics: Rotten Coconuts and Ethnic Hip Hop 37 2. Making Race: Desi Racial Identities, South Asian and Black Relations, and Racialized Hip Hop 88 3. Flipping the Gender Script: Gender and Sexuality in South Asian and Hip Hop America 138 4. The Appeal of Hip Hop, Ownership, and the Politics of Location 190 5. Sampling South Asians: Dual Flows of Appropriation and the Possibilities of Authenticity 234 Conclusion: Turning Thoughts into Action through the Politics of Identification 283 Notes 301 References 315 Index 335
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![Abgrenzung des "e;Bongo Flava"e; in Tansania vom US-amerikanischen Hip-Hop in Bezug zur Globalisierung](https://bilder.buecher.de/produkte/67/67574/67574942n.jpg "Abgrenzung des "e;Bongo Flava"e; in Tansania vom US-amerikanischen Hip-Hop in Bezug zur Globalisierung")
