This edited volume presents an overview of the emergence and development of hip-hop culture in France, French Caribbean, Canada, and Francophone Africa from its origins until today. Contributors discuss the artists' interactions with media arts, social media, literature, race, political landscapes, as well as hip-hop based education.
This edited volume presents an overview of the emergence and development of hip-hop culture in France, French Caribbean, Canada, and Francophone Africa from its origins until today. Contributors discuss the artists' interactions with media arts, social media, literature, race, political landscapes, as well as hip-hop based education.
Edited by Alain-Philippe Durand - Foreword by Marcyliena Morgan
Inhaltsangabe
Foreword Marcyliena Morgan Acknowledgments Introduction Alain-Philippe Durand 1. Forty Years of French Rap: Identities in Crescendo Karim Hammou Translated from the French by Katie Angus 2. Hip Hop Music and Rap in Cities in Crisis: The Case of Marseille Jean-Marie Jacono Translated from the French by André Pettman 3. "Fear of a Black Planet": The Transnational Racial Politics of Hip-Hop in France, 1990-1991 Samir Meghelli 4. Ghetto Patrimony: Rap and Racialization in France Paul A. Silverstein 5. Rap Music in Guadeloupe, an Overseas French Department in the Caribbean: 1980s to the Early 2000s Steve Gadet Translated from the French by Richard J. Gray II 6. French Rapper-Writers and Activism: Global Black Solidarity and (In)visibility Stève Puig 7. New Media, New Voices: Booba's and Sofiane's Use of Social Networks to Promote Aspiring Rappers Kathryn Kleppinger 8. Hip-Hop Based Education (HHBE) in Paris and Its Suburbs Charles Norton 9. The Body Politic of Hip Hop Dance: What Hip Hop Dance's Relation with French Society and Institutions Tells Us About the Place of Popular Art and its Political Stakes Hugues Bazin Translated from the French by André Pettman 10. "Beats Working": Performance Economics in The Roots (2013) and Divines (2016) Felicia McCarren 11. Illegal Mural Expressions: Graffiti as an Act of Resistance? Alain Milon Translated from the French by Sarah Glasco and Matthew Kemp 12. Of Melody, Markets, and Mobilization: A History of Hip Hop in Dakar, Senegal Catherine M. Appert 13. Rap Music in Quebec: An Essentially Hybrid Genre Maxime Delcourt Translated from the French by Patricia Frederick 14. Alaclair Ensemble's "Postrigodon": An Inclusive Rewriting of "Lower-Canada's" History Applied to Hip-Hop Ariane Gruet-Pelchat Translated from the French by Matthew Kemp
Foreword Marcyliena Morgan Acknowledgments Introduction Alain-Philippe Durand 1. Forty Years of French Rap: Identities in Crescendo Karim Hammou Translated from the French by Katie Angus 2. Hip Hop Music and Rap in Cities in Crisis: The Case of Marseille Jean-Marie Jacono Translated from the French by André Pettman 3. "Fear of a Black Planet": The Transnational Racial Politics of Hip-Hop in France, 1990-1991 Samir Meghelli 4. Ghetto Patrimony: Rap and Racialization in France Paul A. Silverstein 5. Rap Music in Guadeloupe, an Overseas French Department in the Caribbean: 1980s to the Early 2000s Steve Gadet Translated from the French by Richard J. Gray II 6. French Rapper-Writers and Activism: Global Black Solidarity and (In)visibility Stève Puig 7. New Media, New Voices: Booba's and Sofiane's Use of Social Networks to Promote Aspiring Rappers Kathryn Kleppinger 8. Hip-Hop Based Education (HHBE) in Paris and Its Suburbs Charles Norton 9. The Body Politic of Hip Hop Dance: What Hip Hop Dance's Relation with French Society and Institutions Tells Us About the Place of Popular Art and its Political Stakes Hugues Bazin Translated from the French by André Pettman 10. "Beats Working": Performance Economics in The Roots (2013) and Divines (2016) Felicia McCarren 11. Illegal Mural Expressions: Graffiti as an Act of Resistance? Alain Milon Translated from the French by Sarah Glasco and Matthew Kemp 12. Of Melody, Markets, and Mobilization: A History of Hip Hop in Dakar, Senegal Catherine M. Appert 13. Rap Music in Quebec: An Essentially Hybrid Genre Maxime Delcourt Translated from the French by Patricia Frederick 14. Alaclair Ensemble's "Postrigodon": An Inclusive Rewriting of "Lower-Canada's" History Applied to Hip-Hop Ariane Gruet-Pelchat Translated from the French by Matthew Kemp
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