This is the first book to explore the creative and collaborative processes of groups of DJs working together as hip-hop turntable teams. Focusing on a variety of subjects - from the history of turntable experimentation and the development of innovative sound manipulation techniques, to turntable team formation, collective creation and an analysis of team routines - the book examines how turntable teams have developed new ways of composing music, and defines characteristics of team routines in both the process and the final artistic product.
This is the first book to explore the creative and collaborative processes of groups of DJs working together as hip-hop turntable teams. Focusing on a variety of subjects - from the history of turntable experimentation and the development of innovative sound manipulation techniques, to turntable team formation, collective creation and an analysis of team routines - the book examines how turntable teams have developed new ways of composing music, and defines characteristics of team routines in both the process and the final artistic product.
Sophy Smith is Research Fellow at the Institute of Creative Technologies, De Montfort University, UK, where she leads the innovative transdisciplinary Masters in Creative Technologies (MA/MSc). Sophy's research focuses on creative collaboration. She works extensively as a composer and performer on national and international collaborative arts projects and is a founder and Director of the collaborative live art company Assault Events.
Inhaltsangabe
Contents: Introduction Hip-Hop and collaboration Turntablism in context Turntablism and technology The creation of original sound material Team formation and the creative processes of Hip-Hop turntable teams An analytical methodology for Hip-Hop turntable music Notation and transcription techniques Analysis of the compositional processes of UK Hip-Hop turntable teams Conclusions Bibliography Index.
Contents: Introduction Hip-Hop and collaboration Turntablism in context Turntablism and technology The creation of original sound material Team formation and the creative processes of Hip-Hop turntable teams An analytical methodology for Hip-Hop turntable music Notation and transcription techniques Analysis of the compositional processes of UK Hip-Hop turntable teams Conclusions Bibliography Index.
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