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In this book, Anthony Vidler examines the work of four historians of modern architecture--Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri--and demonstrates that their respective histories were constructed as more or less explicit programs within the theory and practice of the project in the contemporary context. En este libro, Anthony Vidler examina la obra de cuatro historiadores del movimiento moderno arquitectónico -Emil Kaufmann, Colin Rowe, Reyner Banham y Manfredo Tafuri- y comprueba que sus respectivas historias fueron construidas como programas más o menos explícitos de…mehr

Produktbeschreibung
In this book, Anthony Vidler examines the work of four historians of modern architecture--Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri--and demonstrates that their respective histories were constructed as more or less explicit programs within the theory and practice of the project in the contemporary context. En este libro, Anthony Vidler examina la obra de cuatro historiadores del movimiento moderno arquitectónico -Emil Kaufmann, Colin Rowe, Reyner Banham y Manfredo Tafuri- y comprueba que sus respectivas historias fueron construidas como programas más o menos explícitos de la teoría y la práctica del proyecto en el contexto contemporáneo.
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Autorenporträt
Anthony Vidler is a dean and professor in the Irwin S. Chanin School of Architecture at Cooper Union. As a historian and critic of modern and contemporary architecture, he has written several books, including Warped Space: Art, Architecture, and Anxiety in Modern Culture and The Architectural Uncanny: Essays in the Modern Unhomely.