Historic Avant-Garde Work on Paper

Herausgeber: Bru, Sascha

• Gebundenes Buch

Produktbeschreibung

This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (expressionism, cubism, futurism, Dadaism, surrealism, constructivism and many more).

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Produktdetails

• Verlag: Taylor & Francis Ltd
• Seitenzahl: 242
• Erscheinungstermin: 13. März 2024
• Englisch
• Abmessung: 246mm x 174mm
• Gewicht: 771g
• ISBN-13: 9781032537351
• ISBN-10: 1032537353
• Artikelnr.: 69483514

Autorenporträt

Sascha Bru is a professor at the Faculty of Arts at the University of Leuven, Belgium.

Inhaltsangabe

Part 1 Paper Matters 1. Painting White Paper White: Whiteness in Pablo
Picasso's Papiers Collés 2. From Tearing to Infra-Thin: Paper, Materiality
and Metaphor in Arp, Picabia and Duchamp 3. Joan Miró's Collages: "A
Tribute to Bad Taste?" Part 2 Paper Community 4. Medium, Platform, Art
Form: Avant-Garde Experiments with Paper in the Original Print Portfolio 5.
Avant-Garde by Mail 6. Paper Exhibitions: The Magazine as Exhibition
Catalogue Part 3 Paper Transfer 7. Monochrome Harmony: Black-and-White Work
on Paper in Belgian Constructivism 8. Making Strange: Hirschfeld-Mack,
Klee, the Monoprint, and the Avant-Garde Diaspora 9."The most burning
question for contemporary thinking about art:" Art Competitions and the
Discourse on Painting in Reproduction in Weimar Germany 10. Transparency on
Paper: Imagining Glass Architecture from Taut to Eisenstein Part 4 Paper
Critique 11. Protean Papers: Material Transformations in German Paper and
Kurt Schwitters's Merz Drawings and Prints 12. Steadfast Matter: Paper's
Affects 13. The Treason of the Clerks: Accounting for Paris Dada Paperwork
14. Parade Albums and Censorship in the Soviet Union