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By combining an evocative potential with practical application, this book presents studies that contribute to two of the most innovative approaches to early music in recent academic trends, namely, the exploration of the physical environment in which recovered repertoires were once performed, and how they may have been perceived by those who heard them. Current interest in the spatial context is not limited to identifying the specific places where musical performance took place, but extends to their topography, their acoustic conditions, and the sensory experience of the spectators for whom…mehr

Produktbeschreibung
By combining an evocative potential with practical application, this book presents studies that contribute to two of the most innovative approaches to early music in recent academic trends, namely, the exploration of the physical environment in which recovered repertoires were once performed, and how they may have been perceived by those who heard them. Current interest in the spatial context is not limited to identifying the specific places where musical performance took place, but extends to their topography, their acoustic conditions, and the sensory experience of the spectators for whom they were designed. The development and interconnection of these spatial, acoustic and sensory aspects is the main focus of the present volume. The rapid evolution and expansion of digital technologies in this field has helped to promote new explorations which, with increasing frequency, are presented in digital format and are able to become a modern-day auditory experience accessible to the general public.
Autorenporträt
Eva Esteve Roldán specialises in Spanish renaissance music, is professor at the Universidad Internacional de La Rioja and President of the Working Commission 'Music and Contexts in the Medieval and Renaissance Iberian World' (MEDyREN).John Griffiths is scholar of renaissance instrumental music, especially Spanish, professorial fellow at the University of Melbourne, and Vice president of the International Musicological Society.Francisco Rodilla León is President of the Sociedad Española de Musicología, professor at the Universidad de Extremadura and a researcher of Spanish renaissance music.