Andere Kunden interessierten sich auch für
![Dress Culture in Late Victorian Women's Fiction]( "Dress Culture in Late Victorian Women's Fiction")
Dress Culture in Late Victorian Women's Fiction187,99 €![Imaginary Europes]( "Imaginary Europes")
Imaginary Europes184,99 €![Twentieth-Century Fiction by Irish Women]( "Twentieth-Century Fiction by Irish Women")
Twentieth-Century Fiction by Irish Women182,99 €![Security and Hospitality in Literature and Culture]( "Security and Hospitality in Literature and Culture")
Security and Hospitality in Literature and Culture209,99 €![The Political Unconscious]( "The Political Unconscious")
The Political Unconscious165,99 €![Next-Generation Memory and Ukrainian Canadian Children's Historical Fiction]( "Next-Generation Memory and Ukrainian Canadian Children's Historical Fiction")
Next-Generation Memory and Ukrainian Canadian Children's Historical Fiction174,99 €![Catherine Cookson Country]( "Catherine Cookson Country")
Catherine Cookson Country187,99 €
Lisa Fletcher moves the debate about the value and appeal of heterosexual romance onto new ground, testing the claims of speech-act and performativity theorists on everything from popular classics by Georgette Heyer, to 'bodice rippers,' to historical fiction by John Fowles and A. S. Byatt. Nominating 'I love you' as the romance novel's defining speech act, Fletcher offers a lively mix of theoretical arguments and suggestive close readings.