Emphasizes the British Enlightenmentâ s effects on the future rather than its break with the past. Michael McKeon urges us to distinguish between those aspects of the Enlightenment that eventually were used to organise epistemic violence and oppression from those aspects that were - and remain today - revolutionary.
Emphasizes the British Enlightenmentâ s effects on the future rather than its break with the past. Michael McKeon urges us to distinguish between those aspects of the Enlightenment that eventually were used to organise epistemic violence and oppression from those aspects that were - and remain today - revolutionary.
MICHAEL MCKEON is Board of Governors Distinguished Professor Emeritus at Rutgers University-New Brunswick in New Jersey. He is the author of Politics and Poetry in Restoration England, The Origins of the English Novel, 1600-1740, The Secret History of Domesticity: Public, Private, and the Division of Knowledge, and many articles, as well as the editor of Theory of the Novel: A Historical Approach.
Inhaltsangabe
Introduction 1 The Sciences as a Model for the Arts: A Synchronic Inquiry 2 From Ancient Mimesis to Modern Realism: A Diachronic Inquiry 3 The Historicity of Literary Conventions: Family Romance 4 The Historicity of Literary Genres: Pastoral Poetry 5 Political Poetry: Comparative Historicizing, 1650-1700, 1930-1980 6 Paradise Lost as Parody: Period, Genre, and Conjectural Interpretation Acknowledgments Source Notes Notes Index
Introduction 1 The Sciences as a Model for the Arts: A Synchronic Inquiry 2 From Ancient Mimesis to Modern Realism: A Diachronic Inquiry 3 The Historicity of Literary Conventions: Family Romance 4 The Historicity of Literary Genres: Pastoral Poetry 5 Political Poetry: Comparative Historicizing, 1650-1700, 1930-1980 6 Paradise Lost as Parody: Period, Genre, and Conjectural Interpretation Acknowledgments Source Notes Notes Index
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