The Enlightenment has been misconceived as the culmination of traditional thought about art and literature. The focus of Volume 2 is instead the Enlightenment innovation of the modern concept of the aesthetic and its most important features, which has been wrongly credited to later generations.
The Enlightenment has been misconceived as the culmination of traditional thought about art and literature. The focus of Volume 2 is instead the Enlightenment innovation of the modern concept of the aesthetic and its most important features, which has been wrongly credited to later generations. Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
MICHAEL MCKEON is Board of Governors Distinguished Professor Emeritus at Rutgers University–New Brunswick in New Jersey. He is the author of Politics and Poetry in Restoration England, The Origins of the English Novel, 1600-1740, The Secret History of Domesticity: Public, Private, and the Division of Knowledge, and many articles, as well as the editor of Theory of the Novel: A Historical Approach.
Inhaltsangabe
Introduction 1 The Sciences as a Model for the Arts: A Synchronic Inquiry 2 From Ancient Mimesis to Modern Realism: A Diachronic Inquiry 3 The Historicity of Literary Conventions: Family Romance 4 The Historicity of Literary Genres: Pastoral Poetry 5 Political Poetry: Comparative Historicizing, 1650-1700, 1930-1980 6 Paradise Lost as Parody: Period, Genre, and Conjectural Interpretation Acknowledgments Source Notes Notes Index
Introduction 1 The Sciences as a Model for the Arts: A Synchronic Inquiry 2 From Ancient Mimesis to Modern Realism: A Diachronic Inquiry 3 The Historicity of Literary Conventions: Family Romance 4 The Historicity of Literary Genres: Pastoral Poetry 5 Political Poetry: Comparative Historicizing, 1650-1700, 1930-1980 6 Paradise Lost as Parody: Period, Genre, and Conjectural Interpretation Acknowledgments Source Notes Notes Index
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