Histories of Exhibition Design in the Museum
Makers, Process, and Practice
Herausgeber: Wintle, Claire; Guy, Kate; Williams, Hajra
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Histories of Exhibition Design in the Museum
Makers, Process, and Practice
Herausgeber: Wintle, Claire; Guy, Kate; Williams, Hajra
- Broschiertes Buch
Histories of Exhibition Design in the Museum: Makers, Process and Practice offers a new model for understanding exhibition design in museums as a human and material process. It presents diverse case studies from around the world, from the nineteenth century to the recent past.
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Histories of Exhibition Design in the Museum: Makers, Process and Practice offers a new model for understanding exhibition design in museums as a human and material process. It presents diverse case studies from around the world, from the nineteenth century to the recent past.
Produktdetails
- Produktdetails
- Museum Making
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 276
- Erscheinungstermin: 30. November 2023
- Englisch
- Abmessung: 155mm x 235mm x 20mm
- Gewicht: 508g
- ISBN-13: 9781032156934
- ISBN-10: 1032156937
- Artikelnr.: 68714089
- Museum Making
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 276
- Erscheinungstermin: 30. November 2023
- Englisch
- Abmessung: 155mm x 235mm x 20mm
- Gewicht: 508g
- ISBN-13: 9781032156934
- ISBN-10: 1032156937
- Artikelnr.: 68714089
Kate Guy is an AHRC-funded Collaborative Doctoral Award candidate at the University of Brighton and the British Museum, UK. Hajra Williams is a Design Star doctoral candidate at the University of Brighton, UK. Claire Wintle is a Principal Lecturer of Design History and Museum Studies at the University of Brighton, UK.
Part 1: Exhibition Makers: 1. Exhibition Work: Exploring Labour in the
Federal Community Art Center Project; 2. Putting Joseph Towles' Name in the
Credit Line: Institutional Racism at the American Museum of Natural
History; 3. 'Miss Hall and her Busy, Energetic Design Group': The Emergence
of Professional In-House Design at the British Museum; 4. An Immersive
Journey - Crossroads of Continents: Cultures of Siberia & Alaska
(1986-92); 5. A Latin American Model of Professional Training in Exhibition
Design: Alliances, Outcomes and Challenges; Part 2: Beyond the Museum: 6.
Fashioning the Beaton Portraits: 1928-1968 Exhibition; 7. Collaboration and
Exhibition Making at Cartwright Hall: Strategies of Permanence; 8. The
Re-Crafting of Design: Towards an Ethnographic Perspective in Chinese
Exhibition Design; Part 3: The Material Culture of Display: 9. The
Afterlives of Labels: Materiality and Labour in the Science and Technology
Exhibition Label Archive of National Museums Scotland; 10. Ethnonational
Identity and Mannequins in History Museums in Korea and Japan; 11.
Exhibition Design and the Construction of Race, Gender and Class in the
First Ladies Hall of the United States National Museum; 12. 'Above All
Matter of Facts': Material Knowledge, Exhibition Culture and the Making of
Economics; Part 4: Exhibition Afterlives: 13. 'Gesamtwirkung': Researching
Wilhelm von Bode's Design for the Exhibition of Old Master Paintings
(1883) as a Model for Future Museum Practice; 14. Visual Interventions:
Exhibition Graphic Design as Critical Practice; 15. The Living Area at the
Sainsbury Centre: Looking Back to Look Forward; Index.
Federal Community Art Center Project; 2. Putting Joseph Towles' Name in the
Credit Line: Institutional Racism at the American Museum of Natural
History; 3. 'Miss Hall and her Busy, Energetic Design Group': The Emergence
of Professional In-House Design at the British Museum; 4. An Immersive
Journey - Crossroads of Continents: Cultures of Siberia & Alaska
(1986-92); 5. A Latin American Model of Professional Training in Exhibition
Design: Alliances, Outcomes and Challenges; Part 2: Beyond the Museum: 6.
Fashioning the Beaton Portraits: 1928-1968 Exhibition; 7. Collaboration and
Exhibition Making at Cartwright Hall: Strategies of Permanence; 8. The
Re-Crafting of Design: Towards an Ethnographic Perspective in Chinese
Exhibition Design; Part 3: The Material Culture of Display: 9. The
Afterlives of Labels: Materiality and Labour in the Science and Technology
Exhibition Label Archive of National Museums Scotland; 10. Ethnonational
Identity and Mannequins in History Museums in Korea and Japan; 11.
Exhibition Design and the Construction of Race, Gender and Class in the
First Ladies Hall of the United States National Museum; 12. 'Above All
Matter of Facts': Material Knowledge, Exhibition Culture and the Making of
Economics; Part 4: Exhibition Afterlives: 13. 'Gesamtwirkung': Researching
Wilhelm von Bode's Design for the Exhibition of Old Master Paintings
(1883) as a Model for Future Museum Practice; 14. Visual Interventions:
Exhibition Graphic Design as Critical Practice; 15. The Living Area at the
Sainsbury Centre: Looking Back to Look Forward; Index.
Part 1: Exhibition Makers: 1. Exhibition Work: Exploring Labour in the
Federal Community Art Center Project; 2. Putting Joseph Towles' Name in the
Credit Line: Institutional Racism at the American Museum of Natural
History; 3. 'Miss Hall and her Busy, Energetic Design Group': The Emergence
of Professional In-House Design at the British Museum; 4. An Immersive
Journey - Crossroads of Continents: Cultures of Siberia & Alaska
(1986-92); 5. A Latin American Model of Professional Training in Exhibition
Design: Alliances, Outcomes and Challenges; Part 2: Beyond the Museum: 6.
Fashioning the Beaton Portraits: 1928-1968 Exhibition; 7. Collaboration and
Exhibition Making at Cartwright Hall: Strategies of Permanence; 8. The
Re-Crafting of Design: Towards an Ethnographic Perspective in Chinese
Exhibition Design; Part 3: The Material Culture of Display: 9. The
Afterlives of Labels: Materiality and Labour in the Science and Technology
Exhibition Label Archive of National Museums Scotland; 10. Ethnonational
Identity and Mannequins in History Museums in Korea and Japan; 11.
Exhibition Design and the Construction of Race, Gender and Class in the
First Ladies Hall of the United States National Museum; 12. 'Above All
Matter of Facts': Material Knowledge, Exhibition Culture and the Making of
Economics; Part 4: Exhibition Afterlives: 13. 'Gesamtwirkung': Researching
Wilhelm von Bode's Design for the Exhibition of Old Master Paintings
(1883) as a Model for Future Museum Practice; 14. Visual Interventions:
Exhibition Graphic Design as Critical Practice; 15. The Living Area at the
Sainsbury Centre: Looking Back to Look Forward; Index.
Federal Community Art Center Project; 2. Putting Joseph Towles' Name in the
Credit Line: Institutional Racism at the American Museum of Natural
History; 3. 'Miss Hall and her Busy, Energetic Design Group': The Emergence
of Professional In-House Design at the British Museum; 4. An Immersive
Journey - Crossroads of Continents: Cultures of Siberia & Alaska
(1986-92); 5. A Latin American Model of Professional Training in Exhibition
Design: Alliances, Outcomes and Challenges; Part 2: Beyond the Museum: 6.
Fashioning the Beaton Portraits: 1928-1968 Exhibition; 7. Collaboration and
Exhibition Making at Cartwright Hall: Strategies of Permanence; 8. The
Re-Crafting of Design: Towards an Ethnographic Perspective in Chinese
Exhibition Design; Part 3: The Material Culture of Display: 9. The
Afterlives of Labels: Materiality and Labour in the Science and Technology
Exhibition Label Archive of National Museums Scotland; 10. Ethnonational
Identity and Mannequins in History Museums in Korea and Japan; 11.
Exhibition Design and the Construction of Race, Gender and Class in the
First Ladies Hall of the United States National Museum; 12. 'Above All
Matter of Facts': Material Knowledge, Exhibition Culture and the Making of
Economics; Part 4: Exhibition Afterlives: 13. 'Gesamtwirkung': Researching
Wilhelm von Bode's Design for the Exhibition of Old Master Paintings
(1883) as a Model for Future Museum Practice; 14. Visual Interventions:
Exhibition Graphic Design as Critical Practice; 15. The Living Area at the
Sainsbury Centre: Looking Back to Look Forward; Index.