History, Memory, Fiction examines several contemporary novels and memoirs of leading Pakistani and Kashmiri writers, considering them as historical fiction, in other words as works that are based on real-world facts, but as fiction are able to go further, ultimately creating a plausible story that might well be a true story.
History, Memory, Fiction examines several contemporary novels and memoirs of leading Pakistani and Kashmiri writers, considering them as historical fiction, in other words as works that are based on real-world facts, but as fiction are able to go further, ultimately creating a plausible story that might well be a true story.
David Waterman is currently Professor at the University of La Rochelle, France, where he is a member of the research team at the Center for Research in International and Atlantic History (CRHIA), Co-director of the doctoral program, Euclide and Director of the Asia Pacific Institute. His publications include, Where Worlds Collide : Pakistani Fiction in the New Millennium (OUP, 2014), Pat Barker and the Mediation of Social Reality (2009), Identity in Doris Lessings Space Fiction (2006), Disordered Bodies and Disrupted Borders : Representations of Resistance in Modern British Literature (1999).
Inhaltsangabe
* Foreword * Acknowledgements * Introduction * * 1: Part 1Traumatic Experience, Crisis of Survival * The Exchange of Interconnected Histories in Soniah Kamals An Isolated Incident * 2: Now and Then * Mirza Waheeds The Collaborator and the Contested History of a Place * 3: Part 2Migration, Exclusion and the Enemy Withi * Personal and Political Displacement in Rafia Zakarias The Upstairs Wife * 4: Life-writing and Cultural Memory * Basharat Peers Curfewed Night: A Frontline Memoir of Life, Love, and War in Kashmir * 5: Neoliberal self-help and Water Resources * Mohsin Hamids How to Get Filthy Rich in Rising Asia * 6: Part 3Pakistan during the Afghan War * History, Legacy, and Contemporary Literary Representations * 7: Cultural Understanding as Military Strategy * Mapping the Human Terrain in Nadeem Aslams The Wasted Vigil * 8: Historiography and the Question of What Happened? * Uzma Aslam Khans The Miraculous True History of Nomi Ali * 9: Part 4Exit West * The Making of a World * 10: Snuffing Out the Moon * Kino/Bio Politics, Movement, and the State of Exception * Conclusion * 11: Eventful History, Movement, and Social Mutation * Possible Futures * * Works Cited * Copyright Acknowledgements * Index
* Foreword * Acknowledgements * Introduction * * 1: Part 1Traumatic Experience, Crisis of Survival * The Exchange of Interconnected Histories in Soniah Kamals An Isolated Incident * 2: Now and Then * Mirza Waheeds The Collaborator and the Contested History of a Place * 3: Part 2Migration, Exclusion and the Enemy Withi * Personal and Political Displacement in Rafia Zakarias The Upstairs Wife * 4: Life-writing and Cultural Memory * Basharat Peers Curfewed Night: A Frontline Memoir of Life, Love, and War in Kashmir * 5: Neoliberal self-help and Water Resources * Mohsin Hamids How to Get Filthy Rich in Rising Asia * 6: Part 3Pakistan during the Afghan War * History, Legacy, and Contemporary Literary Representations * 7: Cultural Understanding as Military Strategy * Mapping the Human Terrain in Nadeem Aslams The Wasted Vigil * 8: Historiography and the Question of What Happened? * Uzma Aslam Khans The Miraculous True History of Nomi Ali * 9: Part 4Exit West * The Making of a World * 10: Snuffing Out the Moon * Kino/Bio Politics, Movement, and the State of Exception * Conclusion * 11: Eventful History, Movement, and Social Mutation * Possible Futures * * Works Cited * Copyright Acknowledgements * Index
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