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Andean or Peruvian vision focusing on the impact of Europe on Cuban or Antillean music and its influences on Peru and South America, since there are many false myths and dogmas about the terms "Afro-Latin" or "Afro-Caribbean" music when in truth the African influence was very minimal because Africa only produced primitive music with rudimentary musical instruments, and in truth it was Spain that directly influenced Cuban music and Europe on all the Antilles and all of South America, This approach is important to demystify many lies and false dogmas about Caribbean and South American music that…mehr

Produktbeschreibung
Andean or Peruvian vision focusing on the impact of Europe on Cuban or Antillean music and its influences on Peru and South America, since there are many false myths and dogmas about the terms "Afro-Latin" or "Afro-Caribbean" music when in truth the African influence was very minimal because Africa only produced primitive music with rudimentary musical instruments, and in truth it was Spain that directly influenced Cuban music and Europe on all the Antilles and all of South America, This approach is important to demystify many lies and false dogmas about Caribbean and South American music that had a strong influence and development in New York and Puerto Rico and from there another new configuration for South America, but many truths were hidden for commercial purposes and that even today commercial, record or business sectors continue to promote only for profit and never for cultural or artistic purposes.
Autorenporträt
Lawyer, graduated from the Universidad Nacional Mayor de San Marcos de Lima, Peru (UNMSM), studied journalism at the same UNMSM; political scientist, university professor, columnist, blogger, lecturer, journalist, international postgraduate degree in Political Science from UCES - Buenos Aires, Argentina.