History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. Examining the codes and conventions of how films tell us about the past and providing guidance on how to analyse films as historical interpretations, this book is an essential introduction to the field.
History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life. Examining the codes and conventions of how films tell us about the past and providing guidance on how to analyse films as historical interpretations, this book is an essential introduction to the field.
Robert A. Rosenstone is Professor Emeritus of History at the California Institute of Technology, USA. His award-winning biography of John Reed, Romantic Revolutionary (1975), was used as the basis of Warren Beatty's multiple Academy Award winner, Reds, on which Rosenstone served as historical consultant. His other publications include Visions of the Past: The Challenge of Film to Our Idea of History (1995) Crusade of the Left: The Lincoln Battalion in the Spanish Civil War (1969), and Mirror in the Shrine: American Encounters with Japan (1988). He is the editor of Revisioning History: Film and the Construction of a New Past (1995) and Experiments in Rethinking History (2004) and is the Founding Editor of Rethinking History: The Journal of Theory and Practice.
Inhaltsangabe
List of illustrations Preface to the series Introduction to the third edition Introduction to the second edition Acknowledgements Chapter 1 History on film Chapter 2 To see the past Chapter 3 Mainstream drama Chapter 4 Innovative drama Chapter 5 Documentary Chapter 6 Telling lives Chapter 7 Film-maker/Historian Chapter 8 Engaging the discourse Chapter 9 Film on history Epilogue The View from 2017 Guide to key reading Bibliography Index
List of illustrations Preface to the series Introduction to the third edition Introduction to the second edition Acknowledgements Chapter 1 History on film Chapter 2 To see the past Chapter 3 Mainstream drama Chapter 4 Innovative drama Chapter 5 Documentary Chapter 6 Telling lives Chapter 7 Film-maker/Historian Chapter 8 Engaging the discourse Chapter 9 Film on history Epilogue The View from 2017 Guide to key reading Bibliography Index
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