History or Sleep - Selected Poems - Sheppard, Robert
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Robert Sheppard's selection draws on every book of his poetry since Returns of 1985 through to Words Out of Time of 2015, and is designed to sample both the recurring and developing themes of his work and their restlessly changing forms. Ian Davidson in Poetry Wales called Sheppard's Complete Twentieth Century Blues 'a major poem of serious intent'. Of his recent Shearsman collections, Alan Baker in Litter called Warrant Error, 'political poetry of the first order'; Ben Hickman, in PN Review, wrote 'Berlin Bursts perhaps makes one of the biggest claims for the inherent politics of language and…mehr

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Produktbeschreibung
Robert Sheppard's selection draws on every book of his poetry since Returns of 1985 through to Words Out of Time of 2015, and is designed to sample both the recurring and developing themes of his work and their restlessly changing forms. Ian Davidson in Poetry Wales called Sheppard's Complete Twentieth Century Blues 'a major poem of serious intent'. Of his recent Shearsman collections, Alan Baker in Litter called Warrant Error, 'political poetry of the first order'; Ben Hickman, in PN Review, wrote 'Berlin Bursts perhaps makes one of the biggest claims for the inherent politics of language and art in recent British poetry.' A Translated Man, a sequence of 'fictional poems', was described by Tom Jenks in Tears in the Fence, as 'a compendious work, a vademecum for innovative writing' and as 'a book which, whilst in keeping stylistically and thematically with Sheppard's other work, exhibits a degree of playfulness not always so obvious there... It is, above all, a deeply pleasurable work.' Kelvin Corcoran wrote about Words Out of Time: 'There you are characteristically free of flash or reserve and it increases the sum of what can be written about, I think. And it's funny.'
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Autorenporträt
Born in 1955, Robert Sheppard was educated at the University of East Anglia. Apart from the publications listed below he was editor of three magazines, 1983, which, despite its name, existed in the 1970s as a cassette-tape magazine of recorded poetry; Rock Drill; and Pages, the latter of which still exists as a blogzine. He has read his work at dozens of venues and has worked in collaborative performance with dancers and musicians. He was an active part of the alternative poetry scene in London during the 1980s and 1990s, before moving to Liverpool to take up a post teaching English and Creative Writing at Edge Hill University, where he is currently Professor of Poetry and Poetics. Between 1989 and 2000 he wrote a long work (or 'net/(k)not/- work(s)' as he called it) entitled Twentieth Century Blues, which was published in a complete edition in 2008. (Its poetics is described in 'Poetic Sequencing and the New', available at Jacket.) Hymns to the God in which My Typewriter Believes, published in 2006, features 'texts and commentaries', works which specifically feed off other works of art. He has also published two critical studies, The Poetry of Saying: British Poetry and its Discontents (2005), and When Bad Times Made for Good Poetry (2011), a monograph, Iain Sinclair (2007), and an edited volume, The Salt Companion to Lee Harwood (2007). He has also edited the Selected Poems of Paul Evans for Shearsman.