Andere Kunden interessierten sich auch für
![The Good Fight]( "The Good Fight")
The Good Fight74,99 €![Film and the Nuclear Age]( "Film and the Nuclear Age")
Film and the Nuclear Age191,99 €![Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics]( "Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics")
Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics31,99 €![The Nazi Past in Contemporary German Film]( "The Nazi Past in Contemporary German Film")
The Nazi Past in Contemporary German Film131,99 €![The Collaboration]( "The Collaboration")
The Collaboration33,99 €![Cinematically Transmitted Disease]( "Cinematically Transmitted Disease")
Cinematically Transmitted Disease140,99 €![The Temptation of Despair]( "The Temptation of Despair")
The Temptation of Despair44,99 €
An expose of Hitler's relationship with film and his influence on the film industry
A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda.
In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler's vision for the medium went far beyond "straight propaganda." He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda.
In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Arguing that Hitler was as central to the Nazi film industry as Goebbels, Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated, and how Hitler's vision for the medium went far beyond "straight propaganda." He aimed to raise documentary film to a powerful art form rivaling architecture in its ability to reach the masses.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.