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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 312
- Erscheinungstermin: 22. März 1999
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 490g
- ISBN-13: 9789057005015
- ISBN-10: 9057005018
- Artikelnr.: 69922538
- Verlag: Taylor & Francis
- Seitenzahl: 312
- Erscheinungstermin: 22. März 1999
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 490g
- ISBN-13: 9789057005015
- ISBN-10: 9057005018
- Artikelnr.: 69922538
Edited by Lee A.Jacobus and Regina Barreca University of Connecticut Storrs
I Cixous: Écrivain feminine 1 Life Makes Text from My Body: A Reading of
Hélène Cixous' La Venue à l'Écriture 2 Le Père de l'écriture: Writing
Within the Secret Father 3 The Medusa's Slip: Hélène Cixous and the
Underpinnings of Écriture Feminine 4 Hélène Cixous: Music Forever or Short
Treatise on a Poetics for a Story To Be Sung II Cixous'
Theorizing/Theorizing Cixous 5 Reading and Writing the Other: Criticism as
Felicity 6 Cixous' Concept of "Brushing" as a Gift 7 The Gift: Hélène
Cixous and Jacques Derrida 8 Hélène Cixous Names Woman, Mother, Other: "a
feminine plural like me" 9 Cixous, Spivak, and Oppositional Theory III
Portrayal and Performance 10 Hélène Cixous: A Space Between-Women and
(Their) Language 11 Hélène Cixous and the Need of Portraying: on Portrait
du Soleil Mnouchkine/Hélène Cixous: The Meeting of Two Chimaeras 13 The
Self and The "Other(s)" in Cixous' Sihanouk 14 Bringing a Historical
Character on Stage: L'Indiade 15 Men More Than Men 16 The Critic as
Playwright: Performing Hélène Cixous' LeNom d'Oedipe
Hélène Cixous' La Venue à l'Écriture 2 Le Père de l'écriture: Writing
Within the Secret Father 3 The Medusa's Slip: Hélène Cixous and the
Underpinnings of Écriture Feminine 4 Hélène Cixous: Music Forever or Short
Treatise on a Poetics for a Story To Be Sung II Cixous'
Theorizing/Theorizing Cixous 5 Reading and Writing the Other: Criticism as
Felicity 6 Cixous' Concept of "Brushing" as a Gift 7 The Gift: Hélène
Cixous and Jacques Derrida 8 Hélène Cixous Names Woman, Mother, Other: "a
feminine plural like me" 9 Cixous, Spivak, and Oppositional Theory III
Portrayal and Performance 10 Hélène Cixous: A Space Between-Women and
(Their) Language 11 Hélène Cixous and the Need of Portraying: on Portrait
du Soleil Mnouchkine/Hélène Cixous: The Meeting of Two Chimaeras 13 The
Self and The "Other(s)" in Cixous' Sihanouk 14 Bringing a Historical
Character on Stage: L'Indiade 15 Men More Than Men 16 The Critic as
Playwright: Performing Hélène Cixous' LeNom d'Oedipe
I Cixous: Écrivain feminine 1 Life Makes Text from My Body: A Reading of
Hélène Cixous' La Venue à l'Écriture 2 Le Père de l'écriture: Writing
Within the Secret Father 3 The Medusa's Slip: Hélène Cixous and the
Underpinnings of Écriture Feminine 4 Hélène Cixous: Music Forever or Short
Treatise on a Poetics for a Story To Be Sung II Cixous'
Theorizing/Theorizing Cixous 5 Reading and Writing the Other: Criticism as
Felicity 6 Cixous' Concept of "Brushing" as a Gift 7 The Gift: Hélène
Cixous and Jacques Derrida 8 Hélène Cixous Names Woman, Mother, Other: "a
feminine plural like me" 9 Cixous, Spivak, and Oppositional Theory III
Portrayal and Performance 10 Hélène Cixous: A Space Between-Women and
(Their) Language 11 Hélène Cixous and the Need of Portraying: on Portrait
du Soleil Mnouchkine/Hélène Cixous: The Meeting of Two Chimaeras 13 The
Self and The "Other(s)" in Cixous' Sihanouk 14 Bringing a Historical
Character on Stage: L'Indiade 15 Men More Than Men 16 The Critic as
Playwright: Performing Hélène Cixous' LeNom d'Oedipe
Hélène Cixous' La Venue à l'Écriture 2 Le Père de l'écriture: Writing
Within the Secret Father 3 The Medusa's Slip: Hélène Cixous and the
Underpinnings of Écriture Feminine 4 Hélène Cixous: Music Forever or Short
Treatise on a Poetics for a Story To Be Sung II Cixous'
Theorizing/Theorizing Cixous 5 Reading and Writing the Other: Criticism as
Felicity 6 Cixous' Concept of "Brushing" as a Gift 7 The Gift: Hélène
Cixous and Jacques Derrida 8 Hélène Cixous Names Woman, Mother, Other: "a
feminine plural like me" 9 Cixous, Spivak, and Oppositional Theory III
Portrayal and Performance 10 Hélène Cixous: A Space Between-Women and
(Their) Language 11 Hélène Cixous and the Need of Portraying: on Portrait
du Soleil Mnouchkine/Hélène Cixous: The Meeting of Two Chimaeras 13 The
Self and The "Other(s)" in Cixous' Sihanouk 14 Bringing a Historical
Character on Stage: L'Indiade 15 Men More Than Men 16 The Critic as
Playwright: Performing Hélène Cixous' LeNom d'Oedipe