Hodermarsky
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"Throughout his career, Hodermarsky's work embraced both the representational and the abstract. His early works experimented with new media (such as Dayglo paint) and new styles such as Op Art and performance. In the 1970s and beyond, he engaged landscape-rural and urban and imaginary-wherein he explored the interplay of terrain (land or water, horizon, and sky). The human figure-Slovak farmers, wounded or dismembered soldiers, and mythical and historical figures-were among his favorite subjects. He was fascinated by how age, human nature, and personality combine to create the physical form.…mehr

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Produktbeschreibung
"Throughout his career, Hodermarsky's work embraced both the representational and the abstract. His early works experimented with new media (such as Dayglo paint) and new styles such as Op Art and performance. In the 1970s and beyond, he engaged landscape-rural and urban and imaginary-wherein he explored the interplay of terrain (land or water, horizon, and sky). The human figure-Slovak farmers, wounded or dismembered soldiers, and mythical and historical figures-were among his favorite subjects. He was fascinated by how age, human nature, and personality combine to create the physical form. His eclectic themes mirror his own unique complexities and experiences. Later in his career, he focused on abstract works that reflect the intricate spaces of both his psyche and shared human experience. A deeply spiritual man with a strong religious faith, Hodermarsky's abstract paintings ask the existential questions that have challenged humankind across millennia. By showing us his own experience of these great mysteries, his art underscores life's abiding beauty. Over his long career of interpreting the world in which he lived, Hodermarsky invites us to inhabit a realm filled with joy, reverence, and passion"--
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Autorenporträt
Duncan Christy is a creative writer, editor, playwright, musician, and content producer for traditional and digital media, and live performance. Allison Rudnick is Associate Curator for the Department of Drawings and Prints at the Metropolitan Museum of Art and is responsible for the visual culture and ephemera collection. Kat Lee, a registered drama therapist, is a specialized clinician who works at the intersection of creative arts therapies and trauma, helping clients to re-story traumatic experiences in their own voices and through creative processes. Anna Hammond is the founder and CEO of Matriark, which addresses the crises of food waste and food insecurity. She was the executive director of the Sylvia Center in New York City, a nonprofit that teaches the connection between food and health through nutrition-focused, culinary-based training. She also served as deputy director of Yale University's art gallery.