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Examining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.
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Examining the relationship between emotional intensity and difficulty in works of avant-garde art, Jennifer Doyle seeks to develop a critical language for understanding affectively charged contemporary art.
Produktdetails
- Produktdetails
- Verlag: Duke University Press
- Seitenzahl: 232
- Erscheinungstermin: 1. April 2013
- Englisch
- Abmessung: 233mm x 156mm x 20mm
- Gewicht: 392g
- ISBN-13: 9780822353133
- ISBN-10: 082235313X
- Artikelnr.: 36695026
- Verlag: Duke University Press
- Seitenzahl: 232
- Erscheinungstermin: 1. April 2013
- Englisch
- Abmessung: 233mm x 156mm x 20mm
- Gewicht: 392g
- ISBN-13: 9780822353133
- ISBN-10: 082235313X
- Artikelnr.: 36695026
Jennifer Doyle
Preface ix
Acknowledgments xxi
I. Introducing Difficulty 1
Hard Feelings 5
Patrolling the Border between Art and Politics 9
Vocabulary Shift: From Controversy to Difficulty 15
Difficulty's Audience 21
2. Three Case Studies in Difficulty and the Problem of Affect 28
A Blank: Aliza Shvarts, Untitled (2008) 28
Theater of Cruelty: Thomas Eakins, The Gross Clinic (1875) 39
Touchy Subjects: Ron Athey, Incorruptible Flesh: Dissociative Sparkle
(2006) 49
3. Thinking Feeling: Criticism and Emotion 69
What Happened to Feeling? 69
The Difficulty of Sentimentality: Franko B's I Miss You! (2003) 73
The Strange Theatricality of Tears: Nao Bustamante's Neapolitan (2009) 83
Relational Aesthetics and Affective Labor 89
4. Feeling Overdetermined: Identity, Emotion, and History 94
The Difficulty of Identity 94
James Luna's The History of the Luiseño People (Christmas, La Jolla
Reservation 1990) (1990-1996, 2009) 98
Difficulty and Ideologies of Emotion 106
Carrie Mae Weems's From Here I Saw What Happened and I Cried (1995-1996)
112
Conclusion 126
David Wojnarowicz's Untitled (Hujar Dead) (1988-1989) 126
Notes 147
Bibliography 183
Index 193
Acknowledgments xxi
I. Introducing Difficulty 1
Hard Feelings 5
Patrolling the Border between Art and Politics 9
Vocabulary Shift: From Controversy to Difficulty 15
Difficulty's Audience 21
2. Three Case Studies in Difficulty and the Problem of Affect 28
A Blank: Aliza Shvarts, Untitled (2008) 28
Theater of Cruelty: Thomas Eakins, The Gross Clinic (1875) 39
Touchy Subjects: Ron Athey, Incorruptible Flesh: Dissociative Sparkle
(2006) 49
3. Thinking Feeling: Criticism and Emotion 69
What Happened to Feeling? 69
The Difficulty of Sentimentality: Franko B's I Miss You! (2003) 73
The Strange Theatricality of Tears: Nao Bustamante's Neapolitan (2009) 83
Relational Aesthetics and Affective Labor 89
4. Feeling Overdetermined: Identity, Emotion, and History 94
The Difficulty of Identity 94
James Luna's The History of the Luiseño People (Christmas, La Jolla
Reservation 1990) (1990-1996, 2009) 98
Difficulty and Ideologies of Emotion 106
Carrie Mae Weems's From Here I Saw What Happened and I Cried (1995-1996)
112
Conclusion 126
David Wojnarowicz's Untitled (Hujar Dead) (1988-1989) 126
Notes 147
Bibliography 183
Index 193
Preface ix
Acknowledgments xxi
I. Introducing Difficulty 1
Hard Feelings 5
Patrolling the Border between Art and Politics 9
Vocabulary Shift: From Controversy to Difficulty 15
Difficulty's Audience 21
2. Three Case Studies in Difficulty and the Problem of Affect 28
A Blank: Aliza Shvarts, Untitled (2008) 28
Theater of Cruelty: Thomas Eakins, The Gross Clinic (1875) 39
Touchy Subjects: Ron Athey, Incorruptible Flesh: Dissociative Sparkle
(2006) 49
3. Thinking Feeling: Criticism and Emotion 69
What Happened to Feeling? 69
The Difficulty of Sentimentality: Franko B's I Miss You! (2003) 73
The Strange Theatricality of Tears: Nao Bustamante's Neapolitan (2009) 83
Relational Aesthetics and Affective Labor 89
4. Feeling Overdetermined: Identity, Emotion, and History 94
The Difficulty of Identity 94
James Luna's The History of the Luiseño People (Christmas, La Jolla
Reservation 1990) (1990-1996, 2009) 98
Difficulty and Ideologies of Emotion 106
Carrie Mae Weems's From Here I Saw What Happened and I Cried (1995-1996)
112
Conclusion 126
David Wojnarowicz's Untitled (Hujar Dead) (1988-1989) 126
Notes 147
Bibliography 183
Index 193
Acknowledgments xxi
I. Introducing Difficulty 1
Hard Feelings 5
Patrolling the Border between Art and Politics 9
Vocabulary Shift: From Controversy to Difficulty 15
Difficulty's Audience 21
2. Three Case Studies in Difficulty and the Problem of Affect 28
A Blank: Aliza Shvarts, Untitled (2008) 28
Theater of Cruelty: Thomas Eakins, The Gross Clinic (1875) 39
Touchy Subjects: Ron Athey, Incorruptible Flesh: Dissociative Sparkle
(2006) 49
3. Thinking Feeling: Criticism and Emotion 69
What Happened to Feeling? 69
The Difficulty of Sentimentality: Franko B's I Miss You! (2003) 73
The Strange Theatricality of Tears: Nao Bustamante's Neapolitan (2009) 83
Relational Aesthetics and Affective Labor 89
4. Feeling Overdetermined: Identity, Emotion, and History 94
The Difficulty of Identity 94
James Luna's The History of the Luiseño People (Christmas, La Jolla
Reservation 1990) (1990-1996, 2009) 98
Difficulty and Ideologies of Emotion 106
Carrie Mae Weems's From Here I Saw What Happened and I Cried (1995-1996)
112
Conclusion 126
David Wojnarowicz's Untitled (Hujar Dead) (1988-1989) 126
Notes 147
Bibliography 183
Index 193