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An extended illustrated account of Hollis Frampton's film exposing the fragility of cinema, marking a critical moment in art history when photography meets filmmaking.

Produktbeschreibung
An extended illustrated account of Hollis Frampton's film exposing the fragility of cinema, marking a critical moment in art history when photography meets filmmaking.
Autorenporträt
Rachel Moore is Lecturer in International Media for the Media and Communications Department at Goldsmiths, University of London. She is the author of Savage Theory: Cinema as Modern Magic and currently undertaking research on "The Film Archive of Natural-History," supported by the John Simon Guggenheim Foundation.