A representative history of East German film culture from 1946 to the present, offering close readings both of DEFA's celebrated classics and of the most acclaimed post-unification films.
A representative history of East German film culture from 1946 to the present, offering close readings both of DEFA's celebrated classics and of the most acclaimed post-unification films.
Daniela Berghahn is Principal Lecturer in German and Film Studies at Oxford Brookes University
Inhaltsangabe
List of figures Acknowledgements Introduction 1. The East German film industry and the state 2. Coming to terms with the Nazi legacy: DEFA's anti-fascist films 3. In the guise of costume drama: The appropriation of Germany's cultural heritage 4. The forbidden films 5. Women on film, or how political is the private sphere? 6. German cinema after unification References Index
List of figures Acknowledgements Introduction 1. The East German film industry and the state 2. Coming to terms with the Nazi legacy: DEFA's anti-fascist films 3. In the guise of costume drama: The appropriation of Germany's cultural heritage 4. The forbidden films 5. Women on film, or how political is the private sphere? 6. German cinema after unification References Index
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