Looking at iconic films such as The Godfather, The French Connection, The Exorcist, Taxi Driver, and A Woman Under the Influence, this book reveals that the narrative and stylistic innovations of the 1970s opened a new era in American cinema.
Looking at iconic films such as The Godfather, The French Connection, The Exorcist, Taxi Driver, and A Woman Under the Influence, this book reveals that the narrative and stylistic innovations of the 1970s opened a new era in American cinema.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
TODD BERLINER is Associate Professor, Department of Film Studies, University of North Carolina Wilmington
Inhaltsangabe
1. Acknowledgments 2. Part I: An Introduction to Narrative Incongruity * Chapter One. Poetics of Seventies Cinema * Chapter Two. Narrative Incongruity in Seventies Cinema 3. Part II: Modes of Narration in Seventies Films * Chapter Three. Narrative Frustration: From The Godfather to The Godfather, Part II * Chapter Four. Genre Deviation and The French Connection * Chapter Five. Conceptual Incongruity and The Exorcist 4. Part III: Incongruity's Endpoints * Chapter Six. Incongruity and Unity in Martin Scorsese's Taxi Driver * Chapter Seven. John Cassavetes's Radical Narration 5. Conclusion 6. Appendix A. Best Films of the 1970s: Best Picture Awards, Critics Lists and Other Rankings, and Box Office Grosses 7. Appendix B. Study of Film Incoherence 8. Appendix C. Study of the Degree of Resolution of Film Endings 9. Appendix D. Study of Best Picture Lists and Incoherence 10. Notes 11. Bibliography 12. Index
1. Acknowledgments 2. Part I: An Introduction to Narrative Incongruity * Chapter One. Poetics of Seventies Cinema * Chapter Two. Narrative Incongruity in Seventies Cinema 3. Part II: Modes of Narration in Seventies Films * Chapter Three. Narrative Frustration: From The Godfather to The Godfather, Part II * Chapter Four. Genre Deviation and The French Connection * Chapter Five. Conceptual Incongruity and The Exorcist 4. Part III: Incongruity's Endpoints * Chapter Six. Incongruity and Unity in Martin Scorsese's Taxi Driver * Chapter Seven. John Cassavetes's Radical Narration 5. Conclusion 6. Appendix A. Best Films of the 1970s: Best Picture Awards, Critics Lists and Other Rankings, and Box Office Grosses 7. Appendix B. Study of Film Incoherence 8. Appendix C. Study of the Degree of Resolution of Film Endings 9. Appendix D. Study of Best Picture Lists and Incoherence 10. Notes 11. Bibliography 12. Index
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